Before we announce the winners of the 2011 My Theatre Awards, we’re proud to present the My Theatre Nominee Interview Series. Iphigenia in Tauris was the first opera I reviewed for My Entertainment World, and remains my favourite. With stunning lighting design, stirring modern visuals and an alround fantastic cast, the production was one to […]
Here’s the fun thing—I go to a lot of theater, but I’ve never been to the Opera. Not once. Which, if I was any other average 20-something, would not be weird at all. But I’m me, so it was sort of weird. So I was lucky enough to get to see the Boston Opera Collaborative’s […]
The latest indie theatre piece to crash down in Toronto’s Factory Studio Theatre is called The Big Smoke, a title which refers to its London setting, not its current location. The piece is essentially a weird solo acapella opera wherein Amy Nostbakken sings the story of aspiring artist Natalie using only an empty stage, some […]
The Canadian Opera Company is known for big productions- whether it’s the expansive drawing room of Rigoletto, the stark abyss of Iphigenia in Tauris or the cathedral from Tosca, currently splitting time on the Four Seasons Centre stage. Usually, the stunning sets and lush costumes are the cherry on top of full voices and enthralling stories. […]
Giacomo Puccini’s three-act ode to fidelity and sacrifice plays out with predictable beauty on the stage of Toronto’s Four Seasons Centre. The Canadian Opera Company, as usual, dresses the production with lush and expansive set and costume design by Kevin Knight, and while such stunning aesthetics are an expected treat of attending the COC, it’s […]
Verdi’s brilliant 3-act opera is given a beautiful if sometimes silly staging at The Canadian Opera Company this fall. Tenor David Lomeli was my favourite of the very capable company of singers, performing the role of the lascivious Duke with aplomb and a cold, delivering a memorable vocal performance throughout, specifically in the painfully famous […]
I am by no means an opera expert. A working knowledge of classical music, a solid background in French, a decent understanding of Greek myth and a critical eye for good storytelling was what I had to cling to as I entertained the prospect of reviewing the Canadian Opera Company’s current production. What I found, […]