Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. In my review of his Outstanding New Work– nominated play On Top, I referred to Daniel Karasik as “a scene-stealing character in the absurdist play that is the microcosmic politics of the Toronto theatre community… arguably better known […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Anna Chatterton is a different kind of triple threat: as a librettist, playwright, and actor, she is a force to be reckoned with. She brought much of that talent to her portrayal of another force- the […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. The founding Artistic Director of the Storefront Theatre, Benjamin Blais has produced, directed and appeared in many productions in the company’s time at 955 Bloor Street West. With the recent announcement that the space will be […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Outstanding Supporting Actor nominee Michael Musi played frantic intern Davey in Theatre Brouhaha’s TV/theatre mashup Late Night with ZoomerLive. Read on to find out how the complicated play got on its feet, which late night host […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Nominated for Best Original Work in this year’s London My Theatre Awards, Neil McPherson is the writer behind It Is Easy To Be Dead, a play which follows the life of war poet, Charles Hamilton Sorley, […]
Currently on tour, Taking Flight is a selection of three plays, chosen as the winners of a competition that aimed to produce pieces by first-time playwrights from within the British East Asian, South Asian, and Southeast Asian communities. Obviously, the politics of the aim can’t be ignored: that there is something particular about British-Asian (or […]