Ranking: #5 The new musical from Jay Turvey and Paul Sportelli brings something very new to the Shaw, even if the plot is nothing new for musical theatre. Essentially a mashup of Carmen’s tropes and Aida’s plot, Maria Severa tells the story of a young Portugese prostitute (the titular Maria) who falls for a man […]

The rarely-produced Candide is a literary torment to stage; not only does the musical feature an impressive and daunting score, but there is a large ensemble of characters, numerous set changes through magical worlds, and a distinct comedic style that borders on the macabre. I can think of few companies other than the Huntington Theatre […]

 

Ranking: #9 My notes on The Shaw Festival’s production of My Fair Lady contain only one word: “Birds!!!”. The reason for this is that there is very little to director Molly Smith and set designer Ken MacDonald’s interpretation apart from the far-from-novel metaphor of birds and bird-related things (various “spread my wings” themes and such- […]

 

Company, is a masterpiece in Sondheim’s body of work. The simple story is so nuanced and steeped in human reality that it is actually one of the composer’s most complex works. So when the NY Philharmonic announced that they’d be assembling an all-star cast to take on all the “Sorry/Grateful” contradictions of the piece, I […]

 

In our first year covering Toronto’s Summerworks Festival we saw a total of 10 vastly different productions. From the beloved to the despised; from uber professional to pathetically amateur; pretentious to earnest; new works, established favourites, ensemble projects, two person vignettes, musicals, absurdist parables, dance pieces, hits, bombs, comedies, dramas and every possible thing in […]

 

We are often surprised to find the world is not what we first expected; brothers can betray us, wives can die unexpectedly, and the world can be a more beautiful place than how we’re accustomed to seeing it. The MIT Gilbert and Sullivan Players presented a captivating and surprisingly talented interpretation of Marsha Norman and […]

 

We were working hard this Toronto Fringe, taking in a total of 16 plays ranging from dance to drag to one-man displays or neurosis. There were companies of one, companies of ten, staged readings, fully-mounted musicals, lots of laughs, a couple of tears and grades ranging from A to D. Read on for our absolute […]

I’ve argued with many friends about the purpose of theater; some people believe that theater is meant to tell a story and entertain, while others maintain that a performance is not complete without leaving the audience with some message or question to ponder later that night. I can think of no finer work to satisfy […]