The Huntington opened its 34th season in September with Stephen Sondheim’s romantic, waltz-infused musical A Little Night Music. Full of sumptuous tunes, gorgeous costumes (design by Robert Morgan), and great performances, the production does justice to Sondheim’s dreamy, romantic tale of, as director Peter DuBois puts it, “sex and death.” Led by the warm […]
Staged at the Bridewell Theatre, Geoids’ latest outing is one of the most technically ambitious productions within London’s amateur scene. A huge cast, set and orchestra are used to recount the problem of an eroding Hollywood. For those unaware of the film (which you should all see, incidentally), Joe (Michael Stacey), a failing screenwriter, is […]
After a summer off to make way for Panamania, Toronto’s biggest repertory company has returned to regularly scheduled programming with a diverse slate of four new productions running now through the 18th, soon to be followed by returning favourite Spoon River. Here’s the lowdown on their latest: Marat/Sade This weird, bold, complicated, controversial, thoughtful, […]
With the Les Miserables 30th Anniversary Concert almost here on the 8th October, I have had the great privilege to talk with Jeremy Secomb, the man playing the role of Javert, about himself, his character and the musical as a whole. Before taking the part up in July of this year after a major cast […]
Warning: this is a bad one. I encourage you to just not contemplate going to see Carousel. Read my reviews (and see the productions) of Sound of Music, Oedipus Rex, Love’s Labour’s Lost or (ideally) The Last Wife instead. Is this the single most ridiculously terrible production I’ve reviewed on any stage at any budget […]
As I toiled at my college dorm desk in December of 2006, cursing my political science methodology thesis, my classmates were breaking dorm policy by blaring music during quiet hours. Not just any music – the same iTunes playlist that had been on repeat all day. Most type A personalities would have been infuriated, but, […]
Edges is a musical with which I feel I should share some enduring connection, given attending an amateur production of it was one of the first experiences I had with university life. I recall the production being rather good, inspiring me, even, to get involved with the local university theatre society. However, in the years […]
Despite the vast number of diverse theatre productions in New York City, there is a noticeable lack of plays that depict the lives of Americans living in the middle of the country. Susan Merson’s new musical play Between Pretty Places does just that in a surprisingly genuine way while also exploring themes of grief and […]