In the month or so leading up to Fringe, there isn’t much going on in the indie Toronto theatre scene but two Canadian-written…
There’s only one more week to see The Goat, or Who is Sylvia? playing at Unit 102 Theatre, and see it you should. Leroy Street Theatre’s production is a stunning example of the excellent indie theatre scene currently flourishing in Toronto. Directed by Christ Bretecher, this staging of Edward Albee’s play about a man who […]
A fairly unremarkable production that feels too much like an educational show for schools at times and doesn’t deliver quite enough quality to justify its worth, despite its experienced and overall able cast. The story of George Holyoake, the last Brit to be convicted and imprisoned for blasphemy, is one that certainly peaks interest, but […]
Not without both touching and humorous moments and boasting a wonderfully talented pair of actors, This Is Living is a largely flawed piece that relies too heavily on a thin plot line and certainly does enough to entertain but doesn’t leave you with much to reflect on, and is far less groundbreaking or thought-provoking than […]
The Testament of Mary A Nancy Palk solo showcase with beautiful lighting (Lorenzo Savoini) and stirring sound (Richard Feren), this solemn one act tells the Jesus narrative from his mother’s perspective, stretching from his preaching in the temple to his death on the cross. It’s predictably a strong performance from Palk, her Mother of God […]
Christopher (Daniel Kaluuya) has reached the end of a month-long sectioning; on the brink of leaving, his doctor, Bruce (Luke Norris), has doubts over reassimilation given Christopher’s severe delusions, though senior consultant Robert (David Haig) believes him fit to leave. One of the first things we learn in Blue/Orange is that the psych ward bans […]
The latest production at the Storefront Theatre is a stop-and-go situation. There are long swaths where I struggled to stay engaged; meandering monologues from playwright Jason Maghanoy’s broad characters in a time and place surprisingly ill defined considering the seeming importance of time and place in Maghanoy’s underdeveloped story about an outlaw unsuccessfully hanged. It’s […]
I wasn’t sure what to expect when I walked into the Young Centre for a performance of Neil Simon’s the Odd Couple. On the one hand, this is a Soulpepper production, which suggests a high bar of artistic talent. On the other hand, this is a comedy from the 1960s, an era that is rife […]