The whole theatre/pub culture in London is pretty fantastic if you ask me. The first time I attended a performance in one of these venues, I was so amazed by the city’s determination to have quality theatre in as many places as possible. Given that the King’s Head Theatre is the oldest theatre/pub in London, […]
John Patrick Shanley is likely best known as the writer of Doubt: A Parable, the Pulitzer-Prize winning four-hander that was turned into the slightly over-embellished 2008 film starring Meryl Streep and Philip Seymour Hoffman, adapted and directed by the writer. But Shanley is an impressively prolific writer, with a long, vibrant list of works to […]
As I checked in at the ticketing table, the young ladies hovering around in bright blue Beta Tau Alpha t-shirts and perfectly cuffed jeans transported me back to college. It is there I stayed for the duration of Beth Hyland’s new play For Annie, unable to escape the sense that the ideal audience For Annie, […]
Toronto’s (Canada’s?) most ambitious professional theatre company is undoubtedly Soulpepper. The artist-led organization has never been shy about making their mark on the city but lately they’re expanding at a rate worth noting. This is especially noticeable at Christmas time, a season which used to consist of just two signature productions remounted in alternating years […]
Rosemary Doyle’s Red Sandcastle Theatre holds a lot for a small venue, seating up to 70, and almost every seat was taken on one of the first snowy nights of winter. It’s an unassuming place – and you definitely don’t want to arrive too early, especially on a cold night, because they really mean it […]
Patricide is not a subject many people wish to tackle, especially not in the confines of the theatre. Thebes Land tells the story of a man, who calls himself T, writing a play about a patricide named Martin. The show encompasses both the interviews between Martin and T and the rehearsals leading up to the […]
Rural Illinois in 1979. A flagging old man wastes away on a couch watching sports on his tiny TV and sneaking swigs of whiskey when alone. This is Dodge (Ed Harris), the moribund, impotent pillar of the play. His wife Halie (Amy Madigan) calls out from above. She can’t get over her all-American son Ansel’s […]
