The final piece in Filament Incubator’s 8-plays-in-8-months experiment, Caitie Graham’s Paradise Comics is the perfect strong finish to a rocky but rewarding exercise in ambition and opportunity creation, combining the best elements of everything that led up to it- the quick banter of Rowing, a lighthearted approach to darker issues like ‘Til Death, the brutal […]
The Angry Brigade by James Graham takes place in 1970s London, and as I walk into the theatre, I’m wondering what it might have to say to us in our current political climate. The stage floor is painted with a Union Jack: a colourful and intense symbol, and one which evokes a history of colonialism, […]
“That the powerful play goes on, and you may contribute a verse.” Uncle Walt’s verse gets renewed life on stage in the millennial classic Dead Poets Society – an ode to nonconformity and self-expression in a world that vows to stamp out individualism in favor of conservative practicality. Despite its flaws, the film remains one […]
Secrets of a Black Boy (Playing with Crayons/Theatre Passe Muraille) A constantly evolving mix of storytelling and narrative theatre, playwright Darren Anthony’s moving and evocative Secrets of a Black Boy brings five very different black men together for one last game of dominoes before their community centre closes. The play begins with a theatrical montage […]
Recounting the short but significant life of Charles Hamilton Sorley, a Scottish poet of World War One, It is Easy to Be Dead is a sombre take on the brutality of war. Told through a collection of letters and poetry, the play follows Sorley from his time at Cambridge to his studies in Germany before […]
What I loved most about Yell Rebel’s Agency is its originality. I’ve never experienced a story of this sort before. A young women, Hannah (Eva Barrie), shows up at a travel agency in a former East Berlin neighbourhood determined to learn what really happened to her father after her family fled to West Berlin. After having […]
This Is The Point, a joint production of both Ahuri Theatre and The Theatre Centre, describes itself as a play about ‘love, sex and disability.’ It lives up to its description, but it’s actually about a lot more: it’s about stereotypes and reality, vulnerability, violence, relationships, communication and what it means to have a voice. […]
‘Til Death (Do Us Part), the penultimate play of the Filament Incubator’s ambitious inaugural season, is a sketch/improv/collaborative-scripted-project hybrid that’s part romantic comedy, part practical feminism manifesto, part dystopian horror story, part searing societal allegory. With its bar setting (the Monarch Tavern), intermittent improv, random dance breaks and generally casual vibe, ‘Til Death is the […]