It must be difficult basing a play around a group as well-known and held in such high esteem as the Marx Brothers while still retaining the sense of individual character that a standalone play offers. Such a concept can be an opportunity to investigate and explore the wider, metaphysical nature of its subject matter in […]

Thurgood, by George Stevens, Jr., is a celebratory overview of the extraordinary life of a civic-minded litigator…

 

The Magic Hour, created and performed by Jess Dobkin, is nothing less than pure delight from beginning to end. The audience is ushered into the upstairs lobby, where we are invited to hang up our coats and remove our shoes. Dobkin enters, wearing a dress made out of a burlap bag, greeting the audience at […]

The whole theatre/pub culture in London is pretty fantastic if you ask me. The first time I attended a performance in one of these venues, I was so amazed by the city’s determination to have quality theatre in as many places as possible. Given that the King’s Head Theatre is the oldest theatre/pub in London, […]

John Patrick Shanley is likely best known as the writer of Doubt: A Parable, the Pulitzer-Prize winning four-hander that was turned into the slightly over-embellished 2008 film starring Meryl Streep and Philip Seymour Hoffman, adapted and directed by the writer. But Shanley is an impressively prolific writer, with a long, vibrant list of works to […]

 

Toronto Fringe’s winter mini-fest Next Stage is in a tricky spot. It plays host to the first productions of every year in Toronto theatre; the audience full of hope and anticipation and ready to have the bar set for the year to come. Curated and titled as it is, it’s not hard to expect something […]

 

As I checked in at the ticketing table, the young ladies hovering around in bright blue Beta Tau Alpha t-shirts and perfectly cuffed jeans transported me back to college. It is there I stayed for the duration of Beth Hyland’s new play For Annie, unable to escape the sense that the ideal audience For Annie, […]

 

Toronto’s (Canada’s?) most ambitious professional theatre company is undoubtedly Soulpepper. The artist-led organization has never been shy about making their mark on the city but lately they’re expanding at a rate worth noting. This is especially noticeable at Christmas time, a season which used to consist of just two signature productions remounted in alternating years […]