One of the strengths of science fiction is the power it has to tackle ideas and discussions that might otherwise feel too distant for an audience, and make them feel real, visceral and approachable. From The Water is at its best when showcasing that strength, taking the audience into a deep dive into the idea […]
The Philosopher’s Wife, the first part of Paradigm Productions’ epic Empire Trilogy, has a “soft” opening scene in its current staging at the AKI Studio Theatre. Playwright Susanna Fournier introduces the show, taking down the robe of The Philosopher, which has been hanging at the centre of the round stage. She explains that, due to […]
This can be a difficult time of year for people. The pressures of holiday shopping, the long days without much sunlight, work and family obligations, all conspire to ratchet up the pressure, especially for those who suffer from anxiety and depression. So it’s heartening to see Canadian Stage programming a show about depression that’s ultimately […]
From the shadows at the back of the theatre, a haggard looking man appears. He’s running, breathing hard, and as he approaches us, we see his eyes are wide with confusion and fear. “Why can’t I remember what’s happened to me?”, he cries aloud. So begins The Runner, Christopher Morris’ harrowing and gripping new play, staged […]
Have you ever thought back to some of the most difficult times in your own life, wishing that you could go back in time to reassure yourself that everything would turn out okay, if only we knew what unexpected events would come to reshape our lives? The Other Josh Cohen, running Off-Broadway at the Westside Theatre […]
What I Call Her is a new play written by Ellie Moon and performed in partnership with Crow’s Theatre. Opening night was a great success, filled with the thrill and jitter of any new performance. Audience members greeted each other, proud parents beamed, and we all admired the wonderfully designed set. I don’t think I’ve […]
This Crow’s remount of the 2017 Shaw production of Will Eno’s Middletown, is the story of a generic town, equidistant from its neighbouring towns, with a stable population, elevation, not too big, not too small. This is, not surprisingly, a kind of metaphor, and the play is less about a grand narrative than it is an […]
That’s right, I’m talking about Mirvish’s Charlie and the Chocolate Factory musical and Tarragon’s Marshall McLuhan one-act in one article. They’re both terrible- dull, simplistic, varying degrees of ridiculous- and they’re playing in Toronto at the same time, but the two have more in common than just ruining my Wednesday nights. In Jason Sherman’s The […]