I am a Manhattanite. If I make it north of 14th Street, I am probably on my way to see a show or am playing tour guide to visiting friends. God forbid I have to cross water to get somewhere. However, last Saturday night, I headed to Bushwick in Brooklyn for the first time, which […]
This is the second year in a row that My Theatre’s Emerging Artist Award has gone to someone who serves as the face of their theatre company (this year’s Honorary Award did too). The reason for that is fairly simple- the regular My Theatre Awards have a ton of acting categories, one for playwrights and […]
It is difficult to graduate with a college degree without drinking at least one White Russian at a The Big Lebowski viewing party. My college experience was no exception, and I have developed an appreciation for Ethan Coen’s sharp use of language, his dark comedic style and his eccentric characters through many viewings of his […]
With the crazy summer theatre season finally coming to a close, many of Toronto’s smaller companies are taking the lull in big-ticket fare to kick off their seasons with intimate, impactful dramas. The first two plays I saw this week were two-act studies of modern life at polarized ends of the socio-economic scale, both written […]
I didn’t know what to expect when I agreed to review Bridge Repertory Theater of Boston’s The Libertine. I rarely review new companies, after making that mistake much earlier in my reviewing career; now, I wait until they have established themselves for a season or at least I know a few reputable actors. Here, I […]
Season Ranking: #1 Tom Stoppard’s Arcadia is a genius text written by a genius about geniuses. It gets better every single time I read or see it and The Shaw Festival’s 2013 production easily continued that trend. The play is complicated and rewarding but also fun and diverting. It’s filled with scholarly concepts […]
A new theatre season is upon us! I am very excited to start my third year as the Head of the My Entertainment World’s Boston Theatre Division. I am looking to expanding coverage this year with reviews of more productions than ever before, especially in new areas such as community theatre, opera, and staged readings. […]
How to Disappear Completely was the second best thing I saw at SummerWorks this year (after Wild Dogs on the Moscow Trains). I loved it. It was everything I wished some of the other shows had been- personal, truthful, and funny without losing its sense of tragedy. Itai Erdal is the rare theatre creator able […]