Oh, Peter Hinton, where would the Shaw Festival be without you? Pygmalion is exactly the sort of “ugh, this again?” play that the festival has no realistic way of avoiding, but that’s why they need Peter Hinton. A rare director of grand ambition, a Peter Hinton production is never boring, never simple, never lazy. Even […]
This is literally the only badly executed play at the entire Shaw Festival this year. Do you know how impressive that is? Most ten-play seasons have a hit or two and maybe a handful more that are merely pleasant, then at least a few duds. But Light Up the Sky, that’s it this year for […]
New Repertory Theatre seems to be the only company in the Greater Boston area that is acknowledging the centennial of Arthur Miller’s birth. They have wisely decided to veer away from Miller’s traditional masterpieces (All My Sons, The Crucible, Death of a Salesman, and A View from the Bridge) in favor of a later work […]
Simon Stephens often writes plays that are difficult to perform. He will display a character through a pinhole rather than a window. It is therefore very much up to audience to find meaning in what he writes, albeit with assistance from a shrewd director and cast. One Minute is the story of an investigation into […]
A very well executed production of a unique and interesting new play, And Then Come the Nightjars is simultaneously funny, heart-breaking and eye-opening, and is a real credit to the writer, production team and cast. Centred on the Foot-and-mouth crisis of 2001 and how it affected a South Devon farm, the play tackles an […]
Possum Creek Beth Ann, a naïve farmer’s daughter with a heart of gold (and, ostensibly, unlimited ink and paper) left behind over 3000 letters written to her husband Joseph after he left home to fight in the Civil War just one day after their marriage – letters that would later serve as the basis for […]
In the forward to Melancholy Play, Sarah Ruhl, makes a plea to future producers of the show: “The audience knows the different between being talked to and talked at. Talk to them, please.” This phrase is in many ways the essence of Big Plans, the dark comedy by Jeremy Taylor, and directed by Kat Sandler. […]
