“You have a brave heart and a beautiful soul and it can be clearly seen by anyone who bothers to look closely” is (loosely paraphrased) one of the last things Rebecca Northan said to her co-star at Tuesday’s performance of Blind Date at Tarragon Theatre. I don’t know if she says that every time- the […]
It is best to see Lela & Co without knowledge of it beforehand—if you want to see worthwhile theatre then stop reading this and go see it, essentially. The reason you want to know less about it is that Cordelia Lynn’s script creates expectations from the outset and relentlessly reshapes them. Lela is a pitiful […]
Oh, Peter Hinton, where would the Shaw Festival be without you? Pygmalion is exactly the sort of “ugh, this again?” play that the festival has no realistic way of avoiding, but that’s why they need Peter Hinton. A rare director of grand ambition, a Peter Hinton production is never boring, never simple, never lazy. Even […]
This is literally the only badly executed play at the entire Shaw Festival this year. Do you know how impressive that is? Most ten-play seasons have a hit or two and maybe a handful more that are merely pleasant, then at least a few duds. But Light Up the Sky, that’s it this year for […]
New Repertory Theatre seems to be the only company in the Greater Boston area that is acknowledging the centennial of Arthur Miller’s birth. They have wisely decided to veer away from Miller’s traditional masterpieces (All My Sons, The Crucible, Death of a Salesman, and A View from the Bridge) in favor of a later work […]
Simon Stephens often writes plays that are difficult to perform. He will display a character through a pinhole rather than a window. It is therefore very much up to audience to find meaning in what he writes, albeit with assistance from a shrewd director and cast. One Minute is the story of an investigation into […]
It’s difficult with a play like this to separate the effectiveness of a production from one’s emotional reaction to the story being told. It’s Anne Frank- dark and devastating, punctuated by heartbreaking moments of lightness, romance and even joy. Anne’s words, structured by playwrights Frances Goodrich and Albert Hackett (adapted by Wendy Kesselman), are so […]
A very well executed production of a unique and interesting new play, And Then Come the Nightjars is simultaneously funny, heart-breaking and eye-opening, and is a real credit to the writer, production team and cast. Centred on the Foot-and-mouth crisis of 2001 and how it affected a South Devon farm, the play tackles an […]