Be sure to check out our Full List of Fringe Reviews Denmarked (B-) Carina Gaspar takes on Elsinore in her clown-based reimagining of Shakespeare’s Hamlet. In the spirit of Rosencrantz and Guildenstern Are Dead (with fewer verbal fireworks and more physical exertion), Gaspar zeroes in on minor characters from the original play and pushes them […]
Be sure to check out our Full List of Fringe Reviews Peter Vs Chris (A+) I remember my first Peter n’ Chris experience. I was sitting in the back of a large venue in Winnipeg utterly delighted at what I’d stumbled in on. I was laughing so hard at the duo and recall thinking to […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Strictly speaking, Rebecca Northan‘s hilarious and affecting clown show Blind Date (which played at Tarragon this fall) is not really a “solo performance” as there are always at least two people on stage. But since we […]
The old art form known as commedia dell’arte appears infrequently in modern U.S. theatres. With masked, clown-like actors engaging in loud, brazen and eccentric sketches, commedia dell’arte relies heavily on lowbrow humor and audience participation to entertain, uninhibited by carefully scripted and staged material. When done well, commedia dell’arte can bring a smile to even […]
“You have a brave heart and a beautiful soul and it can be clearly seen by anyone who bothers to look closely” is (loosely paraphrased) one of the last things Rebecca Northan said to her co-star at Tuesday’s performance of Blind Date at Tarragon Theatre. I don’t know if she says that every time- the […]
Click Here for the Full List of our 2015 Toronto Fringe Reviews Morro and Jasp do Puberty (A) There are few safer bets in the Fringe than Toronto’s Sweethearts. The duo’s remount of their 2009 Toronto Fringe triumph is everything you could possibly want in a show about clowns going through puberty. It’s an absolute […]
The use of white makeup as a base for exaggerated features has become a fairly standard practice in productions with a sense of heightened reality. This month in Toronto there are three shows all making use of the convention, albeit in wildly different ways. Trudeau & Levesque Their distinctive makeup is arguably the most defining […]
In the program notes of Knock! The Daniil Kharms Project, directed by Matthew Woods, dramaturg Matthew McMahan describes how the writings of Daniil Kharms were rescued by a friend, writer Iakov Druskin, from the bombed building the playwright lodged in; Druskin placed the “scattered remains…in a briefcase, and kept them hidden for decades.” A few […]
