Historically, operas that choose to focus on love tend to privilege sweeping romances, richly orchestrated melodrama, couples separated by social mores, and, more often than not, a gloriously tragic finale. If you’re going to have several dozen musicians thrumming beneath your story of romantic entanglement, then it seems more than fair for your performances to […]
Two nights in October, I did something I haven’t done in far too long- I went to the symphony. But these were not regular nights at the symphony. There was no Peter Oundjian, an uncharacteristic smell filled Roy Thomson Hall, the average age of the patrons was at least 20 years below expected and, when […]
Oh, Giuseppe Verdi, how I adore your dedication to stories worth telling. You are, of course, a splendid composer whose soaring melodies and lush orchestrations fly beautifully from the mouths of the COC’s chorus and the bows of its spectacular orchestra (here under the capable baton of Marco Guidarini) but the real reason I love […]
Popular culture has resoundingly strong opinions and plenty of advice on love. Love is all you need. Love is a battlefield. Love changes everything. Live, laugh, love. Eat, Pray, Love. The list goes on. But, what is this Crazy Little Thing Called Love? For those people who Want To Know What Love Is,* Benjamin Folstein’s […]
Broadway’s golden boy will be taking the Roy Thompson Hall stage tomorrow night to sing Stephen Schwartz songs alongside the Toronto Symphony Orchestra. Fresh off his pre-Broadway run in the new Finding Neverland musical and a movie star turn as Jamie in the Last Five Years film adaptation, Tony-nominated (and My Theatre Award-winning!) Newsies star/Smash saviour […]
M’dea Undone (Tapestry Opera) This world premiere one-act opera from Tapestry is smart and character-driven with a cleverly modern libretto by Marjorie Chan and superb performances from its 7-person cast, including Jacqueline Woodley as a refreshingly savvy and complex Dahlia and the brilliant Lauren Segal in the title role of the scorned wife of aspirational […]
There are a few operatic conventions that really get me down. The first is a wackadoo story that let’s say isn’t exactly grounded in human truth. The second is overdramatic Tragedy with a capital t. Though the two productions that make up the Canadian Opera Company’s spring season embody, respectively, these qualities to a tee, […]
The Chicago Sun Times says, “The group’s two violinists and double-bassist look and act more like an indie-rock band” and Sir Simon Rattle calls them “the future of music.” What they are is Time For Three or Tf3, a trio of American string players who are setting the world of classical European music on fire. […]