Originally written (and performed) by Dave Deveau, My Funny Valentine is a play based around the true story of a gay teen who was killed by his classmate in 2008. The narrative weaves through the surrounding community in the aftermath, and shows us the ways they are processing (or not processing) their grief, and the […]
In Small but Mighty Productions’ eighties-inspired musical cabaret, six criminal misfits with superhuman abilities are sent to Villains Boot Camp, a secret project that aims to reform criminals and make them productive members of society. Isolated on an unknown island, they’re fed on a strict diet of healthy smoothies and forced to adhere to a […]
Blood Weddings is currently on stage at Buddies in Bad Times. Federico García Lorca’s play is a classic, and has a rightful place in theatre history, but is a difficult play to stage in part because it is so stylized. It is the story of three families: a Mother (Beatriz Pizano) and her son the […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Anna Chatterton is a different kind of triple threat: as a librettist, playwright, and actor, she is a force to be reckoned with. She brought much of that talent to her portrayal of another force- the […]
This Small But Mighty Productions musical murder mystery opens with Derek and his 6 lovers – five women and one man – gathered together in his secluded suburban home. They are there by invitation, but no one knows from whom. Derek is attempting to explain himself when he collapses and dies. Two cops arrive and […]
Nightwood Theatre defines itself as a feminist theatre company whose mandate includes providing an ‘essential home for the creation of extraordinary theatre by women.’ These two pieces, currently on stage at Buddies in Bad Times, certainly hit that mandate. Quiver Written and performed by Anna Chatterton, Quiver is a story about a mother and […]
Dead End (Theatre Lab) This light-hearted one-act from playwright Jonny Sun and director Michael Orlando is the perfect Halloween-themed diversion in Toronto’s current sea of self-serious theatre. Sun traps bantering high school pals Christian Smith and Chris Wilson* in a dead end hallway as they flee the zombie horde that’s taken over their school, inviting […]
This month we were treated to two pieces that weren’t really musical theatre, nor were they strictly concerts. They were cabarets, I guess, but they were really stage-bound musical explorations of people and place by musicians who make theatre and theatre people who make music. Ryan G. Hinds’ Say Grace Sidelined for 6 months […]