Saiya Floyd

Since its premiere, Brooklyn Nine-Nine has consistently been one of the best ensemble comedies on network TV. Which made its decision to start Season 4 focusing on only two of its main characters incredibly gutsy. By mixing up the usual formula and taking Jake and Holt out of New York, and putting them in suburban […]

  Kelly Bedard

That’s it, the network TV season is over. I would ask how you felt about it but, let’s be honest, you don’t watch network TV anymore. You watch Game of Thrones and, if you’re really cool, you maybe downloaded Horace & Pete (if you haven’t, you should). You’re a young, busy, hip person; you don’t […]

  Saiya Floyd

After a strong second season, Brooklyn Nine Nine is back – to a disappointingly uneven start. Despite a lot of good individual scenes or one-liners, the episode overall felt unfocused and rushed. (A few light spoilers ahead). Last season, Holt was reassigned to the NYPD’s PR department, and Gina volunteered to go with him. Watching […]

  Saiya Floyd

Brooklyn Nine Nine (FOX) After binge-watching this comedy series over the summer, I eagerly awaited the second season. It did not disappoint. The characters are zany without being obnoxious. The strong ensemble cast was only enhanced by some brilliant guest stars (including Kyra Sedgwick, perfectly cast as Captain Holt’s nemesis). There wasn’t an episode so […]

  Kevin Dillon

1-Fargo (F/X) I was hesitant to start this show, and after the first episode was a mirror image of the events from the film, I stopped watching. After hearing some buzz to the contrary, I pushed forward as the show had come to an end, and boy was I glad. Fargo was a fantastic twist […]

  Kelly Bedard

This was a tough year for sitcoms. On one hand, there were more terrible new comedies this year than in any other season in recent memory (Dads, Sean Saves the World, Friends With Better Lives, among others). On the other hand, there were a bunch of sitcoms I really really liked… that didn’t make it […]

  Matt Dodge

With the overall decline of traditional TV viewership, the networks put an enormous amount of pressure on every show to be a hit right from the start. If the pilot episode of a show gets bad ratings, it is entirely possible that the show will be canceled. This pressure is in many ways counter-intuitive, and […]

It all started with New Girl. Well, actually it started a year earlier when FOX decided to pair the massive hit/obnoxious trainwreck Glee with two new sitcoms, one of which was Raising Hope (technically it was 3 sitcoms in 2 timeslots, one coming in at midseason). Though both Running Wilde and Traffic Light burned out […]