To celebrate their upcoming 3-night miniseries Childhood’s End (an adaptation of the seminal 1953 sci-fi novel by the same name), Showcase has given us a special prize pack to give away to one lucky reader. Pictured here, it includes a canvas tote, notepad and copy of the Arthur C. Clarke’s book the 6 hour event is […]
Dean Gabourie‘s sparse and tonally conflicted staging of Howard Barker’s The Castle seems to feature every actor you’ve ever seen at the Storefront. There’s the ever-reliable Sean Sullivan hamming it up as the builder Holiday and Brenhan Mc Kibben, enigmatic and steady as the sidekick-y Batter. The design team, the photographer, front of house and […]
Young People’s Theatre’s new musical version of Jacob Two-Two Meets the Hooded Fang is fun and silly in perfect tune with the original book by Mordecai Richler, which marks its 40th anniversary this year. The new music by Britta and Anika Johnson is catchy and pretty, especially as sung by the excellent cast. My […]
My relationship to reality TV is uneven. I’m fanatical about Survivor, grumpily fanatical about Big Brother and the Bachelorette, passively loyal to So You Think You Can Dance, and sporadically interested in American Idol and Dancing with the Stars (there was a Backstreet Boy on this season! I couldn’t not watch). I long ago gave […]
Both of Canadian Stage’s current offerings are about people sleeping with people they shouldn’t be sleeping with. Both remarkably self-satisfied domestic dramas purport to be about “so much more” but that’s really about it. In the one-act contemporary opera Julie, well-to-do scorned woman Julie (Lucia Cervoni) sleeps with her callous, manipulative, engaged servant Jean […]
Workshop productions aren’t really supposed to be reviewed, especially when they’re only playing for one weekend and the reviewer can’t make it on opening night. So, I suppose, you shouldn’t really call this a review. It’s more of a monologue about Holger Syme’s wonderful new adaptation of Ödön von Horváth’s Casimir and Caroline with The […]
Two nights in October, I did something I haven’t done in far too long- I went to the symphony. But these were not regular nights at the symphony. There was no Peter Oundjian, an uncharacteristic smell filled Roy Thomson Hall, the average age of the patrons was at least 20 years below expected and, when […]
I realize that the title of this piece may be a bit misleading. To “bash” something, at least in my line of work, is to pan a production so aggressively that you run the risk of being pulled from the comp list. Luckily, Shakespeare Bash’d and I are not in the same line of work. […]