Dancap is kicking off their 2012 season with a massive bang. One of Broadway’s biggest recent hits FINALLY comes to Toronto for a depressingly short run at the Toronto Centre for the Arts. Not a frequenter of NYC, I’ve been waiting to see In the Heights for 4 years since it won the Tony for […]
Giacomo Puccini’s three-act ode to fidelity and sacrifice plays out with predictable beauty on the stage of Toronto’s Four Seasons Centre. The Canadian Opera Company, as usual, dresses the production with lush and expansive set and costume design by Kevin Knight, and while such stunning aesthetics are an expected treat of attending the COC, it’s […]
The Trojan Women, Alumnae Theatre’s latest effort, was the best thing I’ve seen from the company since 2010’s Hedda Gabler. It was not, however, as good as it should have been. With a strong cast led by a wizened Molly Thom as the beaten-but-not-yet-broken Hecuba and My Theatre Award nominee Sochi Fried as the defiantly […]
The latest offering at Toronto’s Factory Studio Theatre comes from TheatreRUN, a quirky collective created by Jaques Lecoq-trained artists (translation: theatre professionals with some of the best movement and mime training in the world). Known for the Dora-winning hit Spent, Adam Paolozza once again explores dark comic territory with his oldschool, jazzy take on modern […]
Going into Woodland Theatre Company’s latest production, I was delighted to get the opportunity to see Cabaret; though a fan of Liza Minelli and Joel Grey, Alan Cummings, and Michael C. Hall, I’d never seen this classic of American musical theatre. Unfortunately, the company’s attempts to mount an engaging production misses the mark in numerous […]
Ever since I had the pleasure of seeing their impressive production of Next Fall last September, I’ve been consistently surprised and excited by SpeakEasy Stage Company’s 2011-2012 season. Their most recent production of the Tony-winning Red delivers even stronger performances by the small, but intensely talented cast. Not only is the direction and acting strikingly poignant, but […]
Sometimes you see those shows where everything clicks from the script to the acting to the production elements. Everything works as an integrated whole to create a visceral experience. My night at the Huntington’s God of Carnage was one of these experiences. I wasn’t familiar with Yasmina Reza, the playwright, or her work, but I’ll […]
Soulpepper’s 12-play 2012 season officially began last week with the January 19th opening of Kim’s Convenience. The heartfelt, hilarious and supremely Torontonian play is an essentially unchanged remount of the same production from last summer’s Toronto Fringe Festival. The set is a little bigger- now a fully-dressed convenience store on the Michael Young Stage, oddly […]