December 2nd is the beginning of the end for one of Toronto’s most cherished holiday traditions. I don’t remember a time before the Ross Petty Pantomime was a part of my Christmas season but with Peter Pan’s Final Flight the iconic villain/impresario is exiting the scene once and for all. I got the chance […]
Understudying was always one of the hardest jobs in theatre but in 2022 it’s taken on a whole new meaning. Gone are the days when an actor might learn a role only to see the entire run go by without performing it. In the first full season back for many of Canada’s biggest theatre companies […]
Understudying was always one of the hardest jobs in theatre but in 2022 it’s taken on a whole new meaning. Gone are the days when an actor might learn a role only to see the entire run go by without performing it. In the first full season back for many of Canada’s biggest theatre companies […]
There is a joke once seen on tumblr that describes different nationalities’ approaches to death in stories. American writers write I WILL DIE FOR LOVE! British writers write I WILL DIE FOR COUNTRY! And Russian writers write I WILL JUST DIE! An overly simplistic take but this critic’s first thought when seeing that joke was […]
Understudying was always one of the hardest jobs in theatre but in 2022 it’s taken on a whole new meaning. Gone are the days when an actor might learn a role only to see the entire run go by without performing it. In the first full season back for many of Canada’s biggest theatre companies […]
John Patrick Shanley’s difficult drama Doubt has aged oddly. First produced in 2004, one year after the Boston Globe’s Spotlight team won a Pulitzer for its reporting on abuses in the Catholic Church, the play twists itself into knots attempting to keep as much, ahem, doubt as possible alive in the audience’s mind, presumably as […]
Running through Saturday at the Chain Theater in Manhattan (312 W 36th street), Maiden Productions’ take on Connor McPherson’s The Night Alive is phenomenal. Boasting a lights-out cast, visionary design, and accomplished direction, Maiden delivers an outstanding inaugural production and solidifies itself as a company to keep tabs on. The Night Alive centers on […]
The Canadian Opera Company’s fall season presents a well-balanced duo of contrasting classics to signal that, even without the world renowned artistic director we recently lost to Paris, the COC is back on its feet. First up, The Flying Dutchman is a quick hit of Wagnerian sorrow coming in at only 2 hours and […]