Resident Artist Paula Wing writes program notes for almost all Soulpepper productions. I always read them but I usually forget them the moment I finish. Her notes on A Tender Thing, however, are not quickly forgettable but rather remarkably personal and lovely. She talks about the power of hearing familiar words in a new context […]
Caryl Churchill is one of my favorite female playwrights to read. I find her work almost unmanageable onstage because of her feminist tilt and unforgiveable agenda. With that lens, I attended Bad Habit Production’s Top Girls, Churchill’s most iconic and arguably best work, featuring a strong ensemble of Boston’s top female actresses. While the play’s […]
New Repertory Theatre presented a Special Encore Extension of their hit production of Imagining Madoff. I couldn’t imagine myself not seeing it for the first time, the second time around. Written by Deborah Margolin, the play explores the intensely intimate (but fictional) encounter between Ponzi-schemer Bernie Madoff and fictitious Jewish Solomon Galkin. The result is […]
Hidden in the middle of a quiet, tree-lined street in Cambridge, there lies a secret gem of artistic work. Touch Art Gallery, an intimate gallery of contemporary international artwork, specializes as a haven for Iranian art and culture. Lush and bewitching paintings line the hall walls and provide a backdrop for lectures, film screenings, and, […]
I’m just going to be upfront with you guys- the co-producer of this show Melanie Hrymak (who also plays Tybalt) is a friend of mine; she also occasionally writes for this site so it’s not as if it would have taken your best detective skills to discover this badly kept secret. A few weeks ago, […]
One day, as a teenager, I was about to read a copy of Pygmalion and my father said to me, “Why do you want to read Pygmalion? Isn’t it just My Fair Lady?” That question struck me as odd at the time, but I’ve come to realize that there’s something of a consensus among American […]
I’ve been thinking about this for a few days now. At first I really didn’t like playwright Philip Ridley’s take on the dystopian future, and that prevented me from particularly liking Seven Siblings’ production of the text, currently playing at Unit 102 Theatre. When Cameron Laurie’s Elliot enters with his goofy brother Darren (Andrew Markowiak) […]
Inner Monologue: “Do not talk about how period costumes and British accents on a proscenium stage is so boring and standard and Shaw Festival-y that you want to scream. Don’t talk about that, Kelly. Just move on, choose not to care this year, choose to get over it. Focus on the amusing captions that director […]