Despite the vast number of diverse theatre productions in New York City, there is a noticeable lack of plays that depict the lives of Americans living in the middle of the country. Susan Merson’s new musical play Between Pretty Places does just that in a surprisingly genuine way while also exploring themes of grief and […]

 

I have a theory about the (arguably, I guess) three most important theatre companies in Ontario. In any given season, if one of the three companies is under-performing (as one inevitably is), the others raise their game (to compensate? compete? rub it in their face? who knows). They seem to rotate- in a superb Soulpepper […]

 

An odd, rarely produced adventure at sea that many Shakespeare fans have never seen, Pericles is the only one of the four Shakespeare plays currently at the Stratford Festival to be relegated to one of the smaller theatres. Dreary Hamlet, overly traditional Shrew and uneven Love’s Labours are all playing on that famous festival stage […]

Of the many “just do the play” attempts at Shakespeare this season on the Stratford mainstage, director John Caird comes closest to presenting an incarnation of true interest. Patrick Clark’s overly pretty design traps the actors and distracts the audience and a few casting missteps drag the affair down but, armed with arguably the most […]

An original British musical is something of a rarity in London theatre, with juke box shows and film adaptations dominating the West End, but luckily we have a thriving fringe circuit that is willing to take risks on such shows, as the Union Theatre has done with ‘The White Feather’. A beautifully touching musical, it […]

Two moderate highpoints of the 2015 Stratford season, Possible Worlds & The Physicists are both works of thematic ambition with refreshing visual flair. Strong casts and well-paced direction help both pieces stand out though neither stirs the heart nearly as much as it attempts to challenge the mind.   In John Mighton’s Possible Worlds, a […]

Three singers, two pianists, and a whole lot of Sondheim—a thoroughly enjoyable evening by the AC Group for the avid or even casual fan of the great lyricist/composer, though this charming production is unlikely to convert any sceptics of his extensive catalogue. Quite remarkably, ‘Side by Side by Sondheim’ was first performed over 40 years […]

 

Thank god for Kate Hennig. In a Stratford season where women are both underrepresented and terribly misused, she’s offered us a heroine ten times as complex as Pericles and two of the most compelling supporting female characters of the season to boot. In a season of dull period pieces and literal interpretation, she’s bent history […]