Click Here for our full coverage of the 2015 SummerWorks Festival. Offending the Audience (A) Offending the Audience, originally written in 1960, and here conceived by Christian Lapoint, is, if nothing else, an experience. An extended, poetic, contradictory monologue, the piece is, for the most part, an hour of taking the rules of theatre and […]
Due to a busy summer schedule, I was unable to attend much of the Midtown International Theatre Festival; however, I caught a few productions at the festival to kick off August. Puzzle the Will Hamlet has been reinterpreted in so many different ways that it is rare to come across a unique staging of this […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Like There’s No Tomorrow (A+) Like There’s No Tomorrow tells the story of the Northern Gateway Project, and it effect on people on First Nations’ communities in Northern British Columia. Based on interviews conducted by Architect Theatre in 2012 and 2013, Like There’s No […]
Click Here for our full coverage of the 2015 SummerWorks Festival. HYPER (A) Created and performed by Freye Björg Olafson, Hyper is a conceptual dance piece, incorporating projected videos, pictures, and even a little bit of 3-D. Different dance routines are choreographed to form a kind of narrative. We see her first in the flesh, wearing […]
Originally published on July 13, 2015 on Fabiana’s personal blog The Educated Procrastinator … Don Aucoin of the Boston Globe wrote a piece thunderously applauding Patti LuPone’s recent stage antics: during a performance of Shows for Days, the actress reached into the audience and plucked away a texter’s cell phone. Aggravated with what she sees […]
Click Here for our full coverage of the 2015 SummerWorks Festival. An Evening in July (A-) The outdoor square and refreshment room of St. George the Martyr Anglican Church in Grange Park are currently littered with recognizable objects from a bygone era: a Country Life magazine from June of 1963, a dead carriage clock, a […]
Letter To Larry has the advantage of being a play that one cannot reasonably turn away from. It does this by its dialectics—past and present; stage and life; mania and depression—to the effect that the audience is engrossed and rarely numbed by the terrible sadness of it all. This balance is clearly a troublesome one […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Upon the Fragile Shore (B+) Upon The Fragile Shore explores a number of human tragedies, from the Boston Marathon Bombing to the struggles in Syria. The strength the showis in its performers: a virtuosic, talented group that exemplify what can be done with movement, […]