On back-to-back nights in Toronto, I saw one of the best representations of what musical theatre can be, and one of the worst…

 

Nightwood Theatre’s Unholy stages a debate about whether you can be both religious and a feminist. Written by Diane Flacks and directed by Kelly Thornton, the production presents us with four women, two a side, arguing both for and against institutionalized religion. On the pro side, we have Yehudite, an Orthodox Jewish leader and mother, […]

 

Kristen Thomson’s new play The Wedding Party opens not only the 34th season of Crow’s Theatre, but has the honour of being the inaugural production of the new Toronto theatre Streetcar Crowsnest.   Those of us who have been to a few weddings (or a few dozen, as the case may be) will know that although […]

 

The Magic Hour, created and performed by Jess Dobkin, is nothing less than pure delight from beginning to end. The audience is ushered into the upstairs lobby, where we are invited to hang up our coats and remove our shoes. Dobkin enters, wearing a dress made out of a burlap bag, greeting the audience at […]

Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series.   Nominated for Outstanding Sketch/Improv Performance for their 2016 run at the Toronto Fringe Festival, Songbuster is an improv troupe who creates a live original musical at every performance based on a suggestion from the audience.   […]

 

Toronto Fringe’s winter mini-fest Next Stage is in a tricky spot. It plays host to the first productions of every year in Toronto theatre; the audience full of hope and anticipation and ready to have the bar set for the year to come. Curated and titled as it is, it’s not hard to expect something […]

It’s been an incredible year for Toronto theatre. We started out with one of the strongest Januarys in recent memory (3 of our eventual Outstanding Production nominees all played simultaneously that month) then rollicked through the spring towards an overwhelmingly popular Fringe (with an emotional goodbye to the iconic Honest Ed’s tent) and arguably the […]

 

Toronto’s (Canada’s?) most ambitious professional theatre company is undoubtedly Soulpepper. The artist-led organization has never been shy about making their mark on the city but lately they’re expanding at a rate worth noting. This is especially noticeable at Christmas time, a season which used to consist of just two signature productions remounted in alternating years […]