By now I’m sure you’ve read all about how great Ragtime is and may be expecting me to disagree. I’m not going to. In fact, I’m going to pile on . No hyperbole here, I promise… Ready? Okay: I have literally never seen one of the festivals (Shaw, Soulppeper, Stratford) pull off a musical nearly […]
I was pretty sure Elektra would be my least favourite thing at Stratford this season. I’m not big on the Greeks (not that I’m against them, they’re just a tough sell and almost always directed by crazy people who want to make everything into a Very Meaningful Movement Piece). I’m most certainly not someone immediately […]
Would someone please explain to me why His Girl Friday is a play? I get adapting plays into movies, and I even get adapting movies into musicals (so long as the songs are original), but a movie into a play? Chances are there’s no improving on the performances in a movie iconic enough to give […]
The Shaw Festival’s Hedda Gabler is good but not exceptional, and with a text as brilliant as Ibsen’s that’s not uncommon but always a little disappointing. The legendary Martha Henry’s direction isn’t bold. With fairly conventional character interpretations for the most part and little unexpected in emphasis, she lets the actors and the text do […]
It takes ages for A Man and Some Women to get going. I was sure it was the worst thing I’d seen in a long time- what with its affected accents, stiff corsets, slow pace and lack of energy- but the further into the play I got the more I started to like it. By […]
Before I begin going over the details, I’ll tell you right now: the six-show run of this production was far too short. This was my first Flat Earth play, and if Pillowman is any indication of their work, it will be the first of many. I had high hopes going in, having heard good things […]
While this was my first Happy Medium show, I have heard good things about them. I was hoping for a moving experience, unfortunately there was something missing in this production. I’ll save you the anticipation: the show was poor. What interests me here is why it was such a deeply flawed production. With the resources […]
The studio theatre last year was home to some of my favourite Shaw Festival productions. It’s where the festival breaks out of the period mold, drops the accents, and explores a little bit. But it only works if the text being put on is worthy of the creative space, like When the Rain Stops Falling […]