Walk into the Young Centre and buy a ticket, it doesn’t matter to what. Soulpepper Theatre has three productions running right now and, for the first time in memory (and my memory stretches back much further than a few months), they’re operating at full power. The company has always sought balance in its repertory […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. A Soulpepper Academy alumnus and Resident Artist, Ken MacKenzie has designed some of the most beloved productions in recent Canadian theatre history- Kim’s Convenience, Alligator Pie (which he also co-created), and you should see […]
Soulpepper’s going to be okay. I really believe that, and certainly I hope it. They’ve weathered the kind of storm that would have easily levelled a lesser company but there’s an army of incredible artists who still call the Young Centre home and they’re back onstage as we speak, proving that there’s more to the […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. In VideoCabaret’s Confederation Parts I & II, programmed at Soulpepper last summer to celebrate Canada’s 150th birthday, the hilarious and versatile Jamie Cavanagh played lots of different roles in Michael Hollingsworth’s wacky and critical […]
Toronto theatre is navigating tricky times by making great art this winter. It’s a boom of full-throttle theatre-making, reflected most acutely in midsized-to-large companies taking on the sort of challenging, headline-making contemporary work that brings people to the theatre and inspires them to come back. It’s not all great, but it is all ambitious and […]
The lush golden light of the Peter Pan set was a welcome contrast to the sharp cold evening we had rushed through en-route to the theatre, and the space itself served as a refuge from the busy Christmas Market (which Soulpepper ticket holders receive free admission to) surrounding the Young Centre for the Performing Arts […]
Edward Albee’s The Goat or, Who Is Sylvia? is currently on at Soulpepper, directed by Alan Dilworth. I love this play for so many reasons, not least of which is that I think it’s a great example of a man actually writing an amazing and complex female lead character, who essentially carries the entire show. […]
There’s profundity in boredom, or at least that’s what most Waiting for Godots seem to argue. It’s an impossibly dull play to watch, purposefully so; the theatre usually has at least one groaner, one snorer and maybe a blunt high schooler or two complaining that it’ll all start again after intermission and nothing’s likely to […]