Oliver Simmonds

A research base orbits Pluto. There has been no communication with Earth for three months, far longer than normal. A crew member is hallucinating and time is not as linear as it first appeared to be. Rather than ambitious, Alistair McDowall’s X is a misunderstanding of theatre’s capabilities. Although some Beckett exists—the characters’ defining action […]

  Oliver Simmonds

It is always stimulating to see drama from an area that British theatre usually does not touch. Post-apartheid South Africa is perfect center for such drama, investigating the tension between what was fought for and what is. Mongiwekhaya has used this tension to create I See You, a play that has much to say and […]

  Oliver Simmonds

It is best to see Lela & Co without knowledge of it beforehand—if you want to see worthwhile theatre then stop reading this and go see it, essentially. The reason you want to know less about it is that Cordelia Lynn’s script creates expectations from the outset and relentlessly reshapes them. Lela is a pitiful […]