Like A Generation is Coyote Collective’s re-mount of an earlier production from 2013 with an updated multi-media set and lighting design. Written by Max Tepper, and directed by Blue Bigwood-Mallen, the show is a show “about television (or I suppose streaming since no one actually watches TVanymore,” Bigwood-Mallen writes in the show programme. And indeed […]

The powers that be at FX really do have exceptional taste. Their lineup is diverse but cohesive with very few duds. Irreverent rom-com You’re the Worst might be their best underrated gem.   From the genius mind of Stephen Falk (Weeds, OITNB), You’re the Worst is essentially a love story between two terrible people with […]

 

Despite the vast number of diverse theatre productions in New York City, there is a noticeable lack of plays that depict the lives of Americans living in the middle of the country. Susan Merson’s new musical play Between Pretty Places does just that in a surprisingly genuine way while also exploring themes of grief and […]

 

I had to watch The Muppets twice. While I enjoyed the show on the first watch, as an avid fan of this brand of characters, I knew there was something off, and I was correct. The Muppets has been the best pilot I have seen, but that is not saying much, the show is a […]

 

There is often a complaint about a lot of mobster films in that they glorify organized crime. That is not the case in this dramatic biopic covering the history of James ‘Whitey’ Bulger (Johnny Depp). Gone are the blood ties and familial/friendship bonds portrayed in films like The Godfather, Goodfellas and Depp’s own Donnie Brasco. […]

Here we go again. Another season of Doctor Who, a series that can go anywhere in time and space. Do we go to new places, and meet exciting new people? No. “The Magician’s Apprentice” takes us to Earth, England the oft-tread destination of the Doctor and company, and brings back characters that just will not […]

 

An odd, rarely produced adventure at sea that many Shakespeare fans have never seen, Pericles is the only one of the four Shakespeare plays currently at the Stratford Festival to be relegated to one of the smaller theatres. Dreary Hamlet, overly traditional Shrew and uneven Love’s Labours are all playing on that famous festival stage […]

Of the many “just do the play” attempts at Shakespeare this season on the Stratford mainstage, director John Caird comes closest to presenting an incarnation of true interest. Patrick Clark’s overly pretty design traps the actors and distracts the audience and a few casting missteps drag the affair down but, armed with arguably the most […]