I’ll admit that there’s still a part of me watching Supergirl entirely because I refuse to give up hope for a musical episode. I’ve spent way too much time thinking about “song and dance demon“-type ways to force series stars/powerhouse singers Melissa Benoist, Laura Benanti and (most importantly) Jeremy Jordan into bursting into song. Add […]
Facing the garlanded stage with the Toronto Symphony Orchestra warming up, looked down on by the Etobicoke School of the Arts Holiday Chorus, I can’t help but feel the buzz of holiday cheer. I have not had the privilege to attend the symphony since I was a child, and am enjoying the energy of Roy […]
Mia Chung’s original work is good at provoking feeling although it does this at the cost of character. Set in the modern day, You For Me For You is the story of two sisters, Minhee (Wendy Kweh) and Junhee (Katie Leung), the latter of whom escapes from her home country of North Korea while the […]
Anger can appear in various forms, but is it always justified? After all, most would see anger as a destructive force. Occasionally, it is so strong that it amounts to a wild outburst: this is what Penelope Skinner’s Linda is. It subjects us to the life of Linda Wilde, a middle-aged, award-winning marketing director for […]
Immersive theatrical experiences rely heavily on setting to properly integrate theatregoers into the action of the show. It is a bit like rounding up sheep for the actors and designers who need to direct the attention of patrons to specific areas of a room without confining people to chairs.* AccousticaElectronica, a theatrical experience originally developed […]
It is rare a director is so sympathetic to their chosen text; therefore, remember Liz Stevenson’s name. Too often a classic work is smothered by conservatism and theatrical brocade—this production of Barbarians is the opposite, where every direction furthers the purposes of the source. Stevenson’s interpretation is a great symbiosis of text and performance. […]
