An Enemy of the People was originally an Ibsen play that has been translated by Maria Milisavljevic and adapted by Florian Borchmeyer then staged by Tarragon artistic director Richard Rose with a distinctly Canadian political slant and is now being remounted with mostly new actors. The plot is so incredibly relevant to our current politics that […]
Click Here for our full coverage of the 2015 SummerWorks Festival. An Evening in July (A-) The outdoor square and refreshment room of St. George the Martyr Anglican Church in Grange Park are currently littered with recognizable objects from a bygone era: a Country Life magazine from June of 1963, a dead carriage clock, a […]
Click Here for the Full List of our 2015 Toronto Fringe Reviews Big Love (A-) One of the graduating class of the Randolph Academy have produced this dynamically staged and well-acted play, and its aand appreciably ambitious work. Like the HBO show with which it shares its name, Big Love focuses on a group of […]
Bedroom Farce Soulpepper isn’t trying to hide the fact that this is their “something nice and easy for the subscribers” show of the year. Artistic director Albert Schultz all but called it exactly that in an interview earlier last month. Is it depressing as hell to see something this trivial pack the house while Accidental […]
Fringe hit 52 Pick-Up is back, this time at Fraser Studios with more chances to catch any and all of the 4 rotating casts made up of mostly Howland Company founding members. Originally part of the cast, directors Courtney Ch’ng Lancaster & Paolo Santalucia have subbed out, so none of the performances will be quite […]
Potted Potter (Starvox Entertainment/Potted Productions) In the second international tour of this two-man 70-minute reverential romp, creator/performers Dan & Jeff (Clarkson & Turner) are replaced by Ben & James (Stratton & Percy), who are essentially playing Dan & Jeff but are wisely called Ben & James. The new guys are plenty loveable and plenty enthusiastic […]
The Soulpepper Academy is one of the most consistent breeding grounds for up and coming theatre artists in the country. Albert Schultz’s proven eye for talent and an excellent combination of training and mentorship throughout the 2-year program has resulted in a slew of promising players class after class. The program keeps expanding (there are […]
The minimalist set, featuring a large, elevated platform shows off interesting blocking and is integral to the quick, clean transitions that pepper the play. The script’s myriad rapid-fire scene changes are made possible by Jason Hand’s excellent lighting work and a couple of key props that are as dynamic as the script. The play effectively […]