Upon arriving at the Zack Box Theatre at The Boston Conservatory, we were told that the house would not be opening until about 5 minutes prior to the performance time. When the doors finally did open, we were asked to remove our shoes, place them on a shoe rack, and only then enter the performance […]
This month’s selections can only be described as tackling the smart and difficult topics left untouched by most of society. Too often, it is easier to ignore our problems and issues rather than facing them. These productions offer the touch discussions, from race to living life without regret to questioning the safety of our youth. […]
Plays are short. Obviously, we’ve all been to plays that feel far too long, but when it comes down to it, a full-length play has only a few hours to express everything that the playwright wants to say. A novelist can ramble for hundreds of pages but a playwright must be brief, confining all the […]
I love reality television. I do. I’ll watch Real Housewives of just about any city (except for Miami), and, if it’s on Bravo, I’ll probably watch it (except for Millionaire Matchmaker; something about rich people clumsily falling in love is just not compelling to me). I’m pretty unashamed about my love of trash TV, but […]
The moment I walked into the Central Square Theater, I knew that I was in for a special treat. The upstage walls of the incredibly versatile black box were all delicately draped with white and pale blue fabrics, lit and gently swaying in the wind and instantly transported me to the northern territories of Canada, […]
From the moment that the audience was welcomed to The South Oxford Space by the director Kara-Lynn Vaeni, I knew that this play was not going to go well. My initial impression of The Brink of Us, in stream of consciousness, went something like this: Vaeni: “Welcome to the show everyone!” Theresa thought: This director […]
The A.R.T.’s and the OBERON’s The Donkey Show is old news; while a refreshing and imaginative retelling of A Midsummer Night’s Dream when it premiered in Boston in 2009, and though the appeal has not worn-off completely, the production is on its way out the door. In its place, the Boston theatre scene demands something […]
There is a production in the Lower East Side that wants to get you drunk.* It’s ingenious really. Alcohol intensifies emotion and gives the illusion of amplified senses – an ideal accompaniment to a theatrical experience. But that is the point in Stolen Chair’s new production Potion: A Play in Three Cocktails, which can be […]