Kelly Bedard

For the past five years, I’ve been ranking every film I see- just the new releases, from January 1st to December 31st. The rankings are subjective, based entirely on how much I enjoyed and/or connected with or appreciated the film rather than on some sort of objective artistic criteria. Basically, this is a list of 105 films released […]

The 2018 Oscars are just days away and, whether you’re a hardcore prognosticator…

  Vyasar Ganesan

There is a lot to say about Black Panther. News agencies have been reporting the stunning streak the film has had at the box office, clearing $500 million in it’s opening week (and $700 million by the 2nd weekend after opening). Education advocates point out how important it is for young people to see representation […]

  Vyasar Ganesan

In my lifetime, I don’t think I can remember a bigger Bollywood news story than Padmaavat. And that’s not just because I don’t care for the majority of the Indian film industry. From production day one to critical reception after release, this movie got attention to a level that rivaled the 2016 American presidential election. […]

  Kelly Bedard

For the past five years, I’ve been ranking every film I see- just the new releases, from January 1st to December 31st. The rankings are subjective, based entirely on how much I enjoyed and/or connected with or appreciated the film rather than on some sort of objective artistic criteria. Basically, this is a list of 105 films released […]

  Kelly Bedard

  Over the coming weeks I’ll be unveiling my rankings of every single new release I saw in 2017. There are over a hundred of them, it’ll take awhile.   Standard Disclaimer So You Don’t Yell At Me: This Is Not A List Of the Best Films Of the Year. This is not a definitive […]

  Kelly Bedard

I’ve really missed rom coms. I enjoy alt indies with a hip ironic spin or whatever we’re calling things to avoid using the phrase “romantic comedy” these days but I love an honest to god oldschool rom com- those candy-coloured, big-kitchened, unapologetically earnest studio things sometimes called “chick flicks” that are so good at sniffing […]

  Tom McGee

As a long-time Midnight Madness viewer at TIFF, I’m always surprised to find a horror film screening in the main festival (under Contemporary World Cinema) but given the tremendous cinematography and complex, if somewhat under-utilized, psychological study underlying Paco Plaza’s supernatural thriller, it makes sense that Verónica was deemed fit for a wider audience. If […]