Click Here for the Full List of our 2015 Toronto Fringe Reviews Fruit Fruit Mouth Mouth (A-) A dramatic retelling of a children’s poem, Fruit Fruit Mouth Mouth definitely surprised me. The performance is not just a straight telling, in more than one sense. They depict a straightforward version of the poem, but just when […]
With so many productions to see (and some of our staffers headed out of town to cover San Diego Comic-Con), we’ve brought on extra help this year to review more Toronto Fringe Festival shows than ever. Over 10 days, 7 critics will be tackling nearly 100 productions. Check out the full list below. The My […]
Umnikelo (Offering)
The opening night of Luyanda Sidiya’s double-bill performances of Umnikelo and Dominion was dedicated to putting an end to xenophobic violence…
Hatched begins with an iconic image, Mamela Nyamza, topless and back to the audience in a long clothespin tutu, strong and statuesque, beautifully silhouetted by the artistry of lighting designer David Hlatshwayo. The dance begins with Nyamza couruing en point across the stage, her back still to the audience and still beautifully silhouetted, her clothes […]
Written by Jane Taylor, directed by William Kentridge, and produced by the Handspring Puppet Theatre (War Horse), Ubu and the Truth Commission is a large scale production created by some of South Africa’s biggest names. Revived for the 2014 Grahamstown National Arts Festival in celebration of South Africa’s 20 years of democracy, Ubu and the […]
On the cusp of second wave feminism and nearly a decade into Apartheid rule, Athol Fugard created a female character that would, against all odds, defy the roles society would try to force her into. Queeny, played by Masasa Mbangeni, holds the center of the action while the remaining characters orbit around her. James Ngcobo, […]
A large paper scroll leads us up the stairs to the Berkeley Theatre. On the landing Mamela Nyamza is crouched on the floor, scrawling over and over “I must not have a big bum,” “I must not have a big bum”. As we continue up the stairs we can see how line-by-line the written form […]
