Not since 1605 has Guy Fawkes night brought the British government so close to destruction than on this past November 5.* Parliament was dissolved. The monarchy was threatened. The United Kingdom lay on the verge of total collapse. At least, that is the reality that played out on the Music Box Theatre stage in Mike […]
Written and performed by Sarah Thorpe, Heretic is a modern retelling of the story of Joan of Arc. Currently at the Theatre Passe-Muraille Backspace, this Soup Can Theatre production is a remount of an earlier version that Thorpe helped to produce last spring. In the programme, Thorpe tells us that the show was inspired […]
There’s something really special happening at the Theatre Centre right now. Actually, there are two (soon to be three) special things happening at the Theatre Centre right now. They are the productions that make up Why Not Theatre’s latest theatrical experiment and I can’t say enough about them, or it. The November Ticket is […]
Edmond (The Storefront Arts Initiative) In David Mamet’s bleak one-act Edmond, nearly every actor plays multiple roles. Director Benjamin Blais has his large, diverse cast nearly omnipresent and in perpetual motion, creating a swirling, oppressive crowd through which Tim Walker’s frantic Edmond has to constantly fight to make his way to each of the 23 […]
The Immigrant (Harold Green Jewish Theatre Company) You know Mark Harelik, or at least you know his face. He has a recurring role on The Big Bang Theory; he was Topanga’s dad on Boy Meets World; he’s in an episode of Breaking Bad! The reason Mark Harelik is here to be a familiar face in […]
The Screenwriter’s Daughter is a compelling piece of theatre: a humorous, entertaining and historically enlightening new play currently showing at the Leicester Square Theatre. It revolves around the later life of Ben Hecht, a relatively unknown yet prolific and successful screenwriter during Hollywood’s Golden Age, and his increasingly tearaway daughter, Jenny, a counter-cultural revolutionary and […]
Written by Caryl Churchill in the 1970s, Objections to Sex and Violence was Chruchill’s first production on a mainstage. Currently downtown at the Artscape Sandbox, it is a surprisingly relevant play, set against the political background of the 1970’s: the sexual revolution, and the global protest movement. But Churchill’s play invokes the political in a […]
People are shouting to me about the dangers of capitalism and I think I am liking it—let me explain how I got here: the Belarus Free Theatre, an unregistered, underground theatre company, have partnered with the Young Vic all the way from their home country to bring Staging a Revolution: a series of performances centred […]