I don’t think it can be overstated what a pleasure it is to return as an audience member to a live dance performance or how magical it is to attend a well curated program presented in the High Park Amphitheatre. Making my way to the venue on a Thursday evening to meet up with a […]
So, full disclosure, when it comes to plays that are societal/global issue- focused, from a purely creative standpoint, I find to be hit or miss. It’s either that the artistic platform that they have is not being used enough so I don’t see the difference between the performance and someone speaking at a rally, or […]
Toronto’s High Park is a theatre again. After only a few performances of socially isolated dance pieces last summer, Canadian Stage is back this season, not only filling their outdoor amphitheatre with its first real theatrical productions in two years but lending out the space to co-producers and collaborators for a season of programming that’s […]
Red Sky Performance’s AF is true to brand a force of nature. The rhythm is urgent, the energy is youthful, and the choreography showcases the athleticism of the dancers. The driving beat of the vocals and percussion carries an urgent intensity throughout the work, with the dancers using percussive movements heavily influenced by locking and […]
How to Fail As a Popstar… Is it a love letter or is it a break up song? After watching Vivek Shraya’s debut play, now playing at Canadian Stage’s Berkeley Upstairs Theatre, and mulling it over for the better part of a full day, I’m still not sure. I’m also not sure it really matters. […]
There is no doubt that when Daniel MacIvor enters the stage, he does so with seasoned confidence. He appears a bit agitated while dressing the stage, a picture here, a nice scarf there, perhaps even pandering a bit to an audience that is eating it up, quick to laugh at his antics. The mood shifts […]
Minorities has a provocative set, mannequins placed across the back of the stage are costumed in various traditional Chinese clothing, with red duct tape placed across eyes, mouths and torsos. The backdrop is a large red screen with a projection of line drawn figures filling out a crudely constructed crowd featuring Chairman Mao in the […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Frank Cox-O’Connell is a multi-hyphenate theatre artist who came up through the Soulpepper Academy and has gone on to help create some of the most interesting work in the last decade of Toronto theatre. He’s […]