A perfect blend of comedy and horror, cicadas leaves you laughing, guessing, tensing and thinking at every turn. The real estate market is tough and not just now but in 2032 when our story in cicadas takes place. Tough enough that our protagonist couple Janie (Monica Dottor) and Trim (Ryan Hollyman) end up picking […]
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Anita La Selva has directed some of the best theatre I’ve ever seen- bold, creative, demanding work that left a lasting impact. That fact is the complicating, heartbreaking, contextualizing background to 12 Litres 8800 Steps, her autobiographical solo show currently on stage in the Factory mainspace. The play tells the devastating personal story that, presumably […]
Writer/director Andrew Kushnir’s latest self-referential verbatim project presents his signature style at its complex, emotional best. Docutheatre has a tendency to fall into reporterly coldness as the research-heavy genre often tells stories involving investigations and the dialogue is spoken exactly as originally uttered by the real life characters rather than translated through a playwright’s […]
There are few modern innovations as inspiring as National Theatre Live. Broadcasting high profile stage productions into movie theatres is an astounding arts accessibility measure that knocks hoity toity work right off its pedestal and brings it to actual audiences regardless of their location or disposable income (see also: PBS Great Performances; irreplaceable). It’s downright […]
During the COVID-19 lockdowns, to deal with isolation and lack of live theatre, we started gathering some of our favourite people every Tuesday & Saturday night to read scripts over Zoom. We read all 38 Shakespeare plays in six months. Then we kept going. We decided to create mini-seasons featuring highlights from the canons of […]
Jen Silverman’s wild and wonderful take on Brontë-style gothic drama is currently onstage in a riotous new production at the Theatre Centre Incubator. Directed with a bold voice and a light touch by Bryn Kennedy, The Moors is a triumph that dashes expectations at every turn. Silverman’s text is anarchic and inventive while faithfully […]
The Second City Toronto’s latest revue continues the recent trend away from the political and personal and towards more clear cut comedy. As is often the case, I wanted more of a throughline from the established theme of magic (a successful bit featuring Jesus proves the power of recurrence but I always want more). My […]
