’71– screenplay by Gregory Burke; directed by Yann Demange Impish Skins star Jack O’Connell has well and truly left the fun and juvenility of Cook behind him. The whole of Yann Demange’s first feature film is balanced carefully on the shoulders of the 24-year-old about to have his big international moment in Angelina Jolie’s upcoming film […]
The Soulpepper Academy is one of the most consistent breeding grounds for up and coming theatre artists in the country. Albert Schultz’s proven eye for talent and an excellent combination of training and mentorship throughout the 2-year program has resulted in a slew of promising players class after class. The program keeps expanding (there are […]
Resident Artist Paula Wing writes program notes for almost all Soulpepper productions. I always read them but I usually forget them the moment I finish. Her notes on A Tender Thing, however, are not quickly forgettable but rather remarkably personal and lovely. She talks about the power of hearing familiar words in a new context […]
The self-aware absurdity of Bachelor in Paradise has come to an end, Project Runway is in full bitchy swing, the Big Brother editors are still trying to locate a villain in their most likeable cast ever, Survivor’s new season is quickly approaching. So now seems as good a time as any to philosophize on a topic […]
Director Richard LaGravenese did right by Jason Robert Brown and his off-Broadway masterpiece The Last Five Years. From casting to small script additions to keeping Hollywood out of it and presenting the original songs and structure fully in tact, LaGravenese made a lot of smart calls that make The Last Five Years a beautiful film. […]
I’m just going to be upfront with you guys- the co-producer of this show Melanie Hrymak (who also plays Tybalt) is a friend of mine; she also occasionally writes for this site so it’s not as if it would have taken your best detective skills to discover this badly kept secret. A few weeks ago, […]
I’ve been thinking about this for a few days now. At first I really didn’t like playwright Philip Ridley’s take on the dystopian future, and that prevented me from particularly liking Seven Siblings’ production of the text, currently playing at Unit 102 Theatre. When Cameron Laurie’s Elliot enters with his goofy brother Darren (Andrew Markowiak) […]
Inner Monologue: “Do not talk about how period costumes and British accents on a proscenium stage is so boring and standard and Shaw Festival-y that you want to scream. Don’t talk about that, Kelly. Just move on, choose not to care this year, choose to get over it. Focus on the amusing captions that director […]