It’s been a rough couple of weeks. Rough couple of months. All of 2016, really; it’s kicking humanity’s ass and it’s hard to see any light in a tunnel that doesn’t look like it has an end. The news is a daily deluge of depression, social media’s awash with empty protest, and I keep googling […]
We’re back with another episode of the My Entertainment World Podcast, this one all about Canada’s first-ever Bachelorette. To help me sort out the good (Kyle!), the bad (Drew) and the ugly (Drew’s soul) of Jasmine’s search for love, I recruited Soulpepper actress Katherine Gauthier whose regular schedule of Ibsen and Molière is well balanced […]
‘Til Death (Do Us Part), the penultimate play of the Filament Incubator’s ambitious inaugural season, is a sketch/improv/collaborative-scripted-project hybrid that’s part romantic comedy, part practical feminism manifesto, part dystopian horror story, part searing societal allegory. With its bar setting (the Monarch Tavern), intermittent improv, random dance breaks and generally casual vibe, ‘Til Death is the […]
A few years back, November was a pretty quiet month theatre-wise in Toronto, but it seems that everybody figured that out at the same time and decided to do something about it… at the same time. So now November is insane. According to the Canadian Theatre Opening Night Directory, there are 30 new shows opening […]
A familiar face around Ontario theatre who’s worked with The Shaw Festival, The Factory, Convergence, Hart House, First Act Productions and more, Howard J. Davis is making his mark in a different medium these days. We caught up with him to get the latest on his new short film C’est Moi. What is C’est Moi […]
The Toronto International Film Festival movies are starting to make their way to major markets. Here’s a quick look at what we saw back in September that you should be looking out for. Mean Dreams This gritty Canadian indie is like the live-action version of famed Wes Anderson cartoon Moonrise Kingdom but scarier. Future superstar […]
What the hell is happening on CBS? I mean it. I know they’re considered the grandma network, known mostly for terrible 3-camera sitcoms, procedural crime dramas, and reality TV, but the crushing mediocrity of their new fall comedies is actually mind-boggling. It seems as though CBS revamps their comedy brand every year and whatever one […]
The CW’s newest lighthearted high-concept show about a grown-ass woman is just as refreshing and fun as Jane the Virgin and Crazy Ex-Girlfriend, its forebears in the network’s chosen secondary genre. Gone are the too-hot-to-function teenagers and their soapy dramatics (Gossip Girl, One Tree Hill, 90210), making the network’s lineup a remarkably strong mixture of […]