J. Stephen Brantley has a distinct voice for re-creating the New York of yesteryear – to paint a picture of the gritty pre-Giuliani New York that I only know from films and rerun credits of Saturday Night Live. Of course, living in the city during that time was bound to have some lasting effects, and […]
The Second City’s latest mainstage revue is as honest as it is funny, as biting as it is charming, and as surprising as it is (mostly) consistent. Every member of the cast brings a different style and point of view to the table, all hilarious in their own right but especially effective together. Created […]
‘The Pussy Riot performances cannot be reduced just to subversive provocations. Beneath the dynamics of their acts, there is the inner stability of a firm ethico-political attitude. In some deeper sense, it is today’s society that is caught in a crazy capitalist dynamic with no inner sense and measure, and it is Pussy Riot that […]
Tennessee Williams’ semi-autobiographical memory play about a regretful Southern Belle and the miserable adult children who’ve grown up on her repetitive tales of questionable glory days is one of the playwright’s greatest poetic achievements and the piece that made his name when it premiered in 1944. Tom Wingfield’s nostalgic monologues that frame the flashback action […]
Typical off-West End, though you’d expect Soho Theatre to programme something more enticing (and I’m definitely enticed by Burning Doors). Writer Owen McCafferty and Director Adam Penford’s Unfaithful is of the barely-enough variety, the kind of play that chucks rough sex and swears around to raise the room temperature (in the dramatic sense, not in […]
It is always difficult to adapt something that is as ingrained in popular culture as the 1993 movie Groundhog Day, particularly when such a film’s very title and premise have entered the modern lexicon. The musical certainly had a large degree of hype behind it, not least owing to the news that the book and lyrics […]
Every other month, seven playwrights come together at The Tank in Manhattan to engage in a creative collaborative process that results in seventy minutes of artistry sharing common themes and elements. The structure of Rule of 7×7, the brainchild of writer and producer Brett Epstein, sounds simple – seven writers conceive of and produce seven […]
“Master Harold”… and the Boys This South African-set one-act by Athol Fugard takes a long time to get going but, once it does, it’s a gut punch. The idea is that James Daly’s charming brat Hally is super chummy with the two black men who work at his family’s diner (his parents are offstage dealing […]