The Belarus Free Theatre has taken on a challenge by putting on Tomorrow I was Always a Lion. Portraying mental health onstage, especially schizophrenia, is no easy task. Because many people do not know how to address the issue, it can be a little overwhelming to go see a play that is entirely centered on […]
Nightwood Theatre defines itself as a feminist theatre company whose mandate includes providing an ‘essential home for the creation of extraordinary theatre by women.’ These two pieces, currently on stage at Buddies in Bad Times, certainly hit that mandate. Quiver Written and performed by Anna Chatterton, Quiver is a story about a mother and […]
It’s over-expansive and yet at its most expansive it’s simultaneously at its best. Disregard (or don’t) the critics who call the ending effusive mush or ’emotional blackmail’. The ending is the best part; it’s the only good part, in fact. A Pacifist’s Guide to the War on Cancer, now at the Dorfman, is a Serious […]
Big British playwright David Hare offers The Red Barn, a new work which adapts La Main, a novel by prolific Belgian Georges Simenon. Simenon was a guy who wrote thrillers and he wrote a lot of them, and Hare mentions in the programme that his novels generally concerned those at the ‘bottom of society’. For […]
Yes yes yes and once again yes. In five years covering the Canadian Opera Company, I’ve never seen a rep season with this much storytelling depth and theatrical impact. I’ve never seen a perfect balance between homegrown talent, international stars, and homegrown international stars. I’ve never seen female characters with this much agency and this many […]
A powerful and poignant musical production from director Thom Southerland, who yet again manages to deliver an incredibly high calibre of fringe theatre. Ragtime boasts an accomplished score, intriguing story and cast and creatives who more than equal the quality of the source material. Tom Rogers and Toots Bucher’s set design is instantly striking, […]
I am not normally a fan of plays where the action moves around, with the audience moving with it. My ideal theatre experience is sitting down, quiet and comfortable. At Keffiyeh/Made in China, I am forced out of my comfort zone: to move around and interact with the space and the audience and the actors […]
If there is one subject that makes most people uncomfortable, it is that of homelessness. Rare are those who stop and speak to homeless men and women on the street, let alone go see a play about it. Although it may feel uneasy at first, Cuckoo Bang’s Choosers, written by Holly Mallett, does an excellent […]