Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Canadian Opera Company favourite (and newly minted Resident Artist) Jane Archibald is nominated for her second Outstanding Opera Performance award for her brilliantly sung and refreshingly strong, contemporary take on mistreated ingenue Ginevra in Handel’s Ariodante. We […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. The founding Artistic Director of the Storefront Theatre, Benjamin Blais has produced, directed and appeared in many productions in the company’s time at 955 Bloor Street West. With the recent announcement that the space will be […]
As I waited in traffic on the highway leading to JFK airport, I skimmed the review requests filling my Inbox. Despite having a frenzied month at work and preparing to move overseas, as soon as I got word that the President had signed an executive order banning refugees and immigrants from traveling into the country […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Dan Chameroy is a very big deal to me. He’s a big deal to a lot of people in the Canadian musical theatre scene but he’s especially important to me. He’s the first live performer I […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Outstanding Supporting Actor nominee Michael Musi played frantic intern Davey in Theatre Brouhaha’s TV/theatre mashup Late Night with ZoomerLive. Read on to find out how the complicated play got on its feet, which late night host […]
Joseph Moncure March’s initially controversial poem, The Wild Party, is subject to possibly one of the biggest coincidences in musical theatre history. Back in the 1999/2000 Broadway season, two totally separate musicals emerged, both using the exact same source material for their narrative—even more peculiar given the poem isn’t exactly the most obvious source material […]