Bringing a historical figure to the stage can be difficult, mainly because there is never an inherent style or concept to pursue. That was the challenge Korean creators Seeun Choun and Jongyoon Choi took on with Marie Curie, now translated to English for its UK premiere, directed by Sarah Meadows. The result is a conventional, well-intentioned […]
Alexander Franks
Casimir and Caroline opens on a balcony. No…. more than that. The play opens on a balcony at a corporate office party while the heads of corporate are in fact up in the sky in a zeppelin. Now have you ever actually really experienced a balcony at a corporate office party while the heads of corporate are […]
Kelly Bedard
After I saw Brigadoon, the Shaw Festival’s magical staging of a reimagined classic musical, I right away sat down to write about the experience. At least for me, the night I saw it, the mood I was in, Brigadoon was a fully contained theatrical moment about which I had plenty to say. Another staff writer […]
Kelly Bedard
Noises Off Did we need another 70s-set backstage theatre farce mere months after Jitters? No. But Soulpepper’s production of Noises Off made me laugh louder and with more obnoxious uncontainable shrieks than anything else I’ve seen this year so I’ll welcome the repetition. Simon Fon’s fight and stunt work was still too careful and a […]
Kelly Bedard
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. One of only three artists this year to be nominated in the same category (Outstanding Direction) in two separate divisions, Ravi Jain’s 2015 work on Toronto’s stages both large (Soulpepper’s Dora-winning Accidental Death of an Anarchist) and medium […]
Oliver Simmonds
Its language and rhythms belong more to the French New Wave than a stage, yet La Musica has some inspired instances. Within it, we get to know a couple about to complete their divorce proceedings, the man being played by Sam Troughton and the woman by Emily Barclay. We learn of seduction, attempted murder and […]
Theresa Perkins
As I toiled at my college dorm desk in December of 2006, cursing my political science methodology thesis, my classmates were breaking dorm policy by blaring music during quiet hours. Not just any music – the same iTunes playlist that had been on repeat all day. Most type A personalities would have been infuriated, but, […]
Kelly Bedard
The Divine: A Play for Sarah Bernhardt was the last production I saw this year at the Shaw Festival (I’m reviewing out of order because this simply couldn’t wait). Before I saw this world premiere (four years in the making by Quebec playwright Michel Marc Bouchard and translator Linda Gaboriau), I was already considering the […]