The return of Slava’s Snow Show to Toronto, staged at the Bluma Appel Theatre, is a resounding success. The show is everything it promises to be – truly a night of wonder, magic, and childlike joy. Although there were many families with happily giggling children in the audience, Slava’s Snowshow is by no means a […]
That’s right, I’m talking about Mirvish’s Charlie and the Chocolate Factory musical and Tarragon’s Marshall McLuhan one-act in one article. They’re both terrible- dull, simplistic, varying degrees of ridiculous- and they’re playing in Toronto at the same time, but the two have more in common than just ruining my Wednesday nights. In Jason Sherman’s The […]
Australian touring company Circa has graced Toronto’s stage again, and we loved it. Artistic Director Yaron Lifschitz’s newest creation, HUMANS, gives everyone a little of what they want. There were gasps and applause at amazing circus feats from the audience, reverential silence in awe, some giggles, and overall the feeling of amazement. I stand by […]
Mirvish Productions has been on a run of great programming for the last little while with Come From Away’s Canadian sit-down production as a quality anchor, and tours of The Phantom of the Opera and Wicked coming through town. Phantom certainly can take some criticism but I’d argue its messages about empathy and mercy ultimately […]
15 years ago, Stephen Schwartz and Winnie Holzman adapted for the stage a novel by Gregory Maguire that was itself an adaptation, or perhaps more accurately a revision, of The Wizard of Oz. The novel was dark and strange and long, full of deeply unlikeable characters and bleak allegorical observations about a world more real […]
A theme you will find in my reviews of Luminato shows is that I tend to feel like the festival is not really for me. I have fairly conventional theatre taste and fairly passive political beliefs (at least among the liberal consensus of my community) so Luminato’s artsy, brazen, avant-garde vibe is really just not […]
Luminato 2018 promised to interrogate the issues of human-rights, justice and inclusion, and Swan Lake/Loch na hEala does not disappoint with its dark themes of loss—of innocence, of purpose, and of hope—rape, suicide, police brutality and populist politics all feature. Written, directed and choreographed by Michael Keagan-Dolan, performed by Teac Damsa dance theatre and accompanied […]
Girls Like That (Tarragon Theatre) The more I think about this fantastic ensemble piece about teenage girls dealing with the age of slut-shaming gone viral, the more shocked I am that it was written by a man. Playwright Evan Placey captures the complexities and contradictions and crushing, inescapable pressures of girlhood with such painful authenticity […]
