The musical version of the seminal Jim Steinman/Meat Loaf album Bat Out Of Hell is a marvel of ridiculousness. The book (Steinman), direction (Jay Scheib), and design (Jon Bausor & Meentje Nielsen with tour updates to the set by Ed Pierce) are some of the worst in the history of the form but, dammnit, the […]
Théâtre Motus’ Tree is a beautiful introduction to live performance designed for the enjoyment of six-months to three-year-olds with a special eye to accessibility for neurodivergent children. I brought my nine-month-old to the show for his first experience as a live theatre audience member (thanks to Cineplex’s Stars & Strollers program, he’s well versed with the […]
From a 4K Limited Collector’s Edition to upcoming theatrical re-release, Interstellar’s tenth anniversary has brought about a flurry of activity. One of the more unique permutations of renewed interest and celebration is organist Roger Sayer’s Interstellar 10 Concert Tour, presented in Canada by the Royal Canadian College of Organists. As the organist featured on […]
A lot is changing in Ontario theatre lately, nowhere more than in the musical theatre landscape. With commercial companies expanding both in and out of Toronto, exciting initiatives supporting the creation of new works, and a fresh generation of artists emerging, it seems that musical theatre is the next frontier for an area that has […]
This week at Kew Gardens Park, Toronto Shakespeare fans said farewell to one of the city’s summer theatre institutions. Technically ending tonight with their tour’s final stop in Burlington, Driftwood Theatre’s “Final Bard’s Bus Tour” features not their usual adaptation of a Shakespeare text but an original 90-minute one-man-show wherein the company’s founder tells his […]
Originally Published May 2023. Revised April 2024. In this instalment of my series on how to visit New York as a happily cliché tourist, we’re diving into the world of New York Theatre and what I think is worth your time as an out of towner. Check out the rest of this series HERE. […]
Though indie theatre is still scrambling to exist, Toronto’s mid-tier theatre scene finally feels well and truly alive again. This April was the first time since early 2020 that there were so many openings that critics had to pick and choose and I’m thrilled to report that I haven’t seen a bad thing all season. […]
