Sitting in the audience of a dance performance, feeling fully enveloped by the movement, is one of the most delicious experiences I can think of. The Cuban based Malpaso Dance Company brought to Luminato 2018 three mesmerizing performances that, along with the superb accompaniment of Arturo O’Farrill and the Afro Latin Jazz Ensemble, suspended time […]
A theme you will find in my reviews of Luminato shows is that I tend to feel like the festival is not really for me. I have fairly conventional theatre taste and fairly passive political beliefs (at least among the liberal consensus of my community) so Luminato’s artsy, brazen, avant-garde vibe is really just not […]
Luminato 2018 promised to interrogate the issues of human-rights, justice and inclusion, and Swan Lake/Loch na hEala does not disappoint with its dark themes of loss—of innocence, of purpose, and of hope—rape, suicide, police brutality and populist politics all feature. Written, directed and choreographed by Michael Keagan-Dolan, performed by Teac Damsa dance theatre and accompanied […]
Bad Dog Comedy Theatre is getting in on Pride month with an Official Pride Toronto Community event this weekend, a two-day mini-festival of shows highlighting LGBTQ performers. Three shows on Friday will be followed up by four shows on Saturday and, as is often the case at Bad Dog, you can add shows to your […]
String of Pearls, brought to you by Labour of Love, chronicles the life line of a pearl necklace and it’s connection to the women who wear it. It’s a story of heart ache, of longing, of death and destruction, pettiness, and love. Be prepared for your emotions torun through the spectrum. This is a story […]
Bad Dog Theatre Company’s annual Combustion Festival runs through June 9th at their theatre on Bloor St. West. It’s a week of performances, workshops, drop-in classes and general partying that fosters a spirit of collaboration, community, and plain old celebration of good times and letting them roll and all that. I ventured into the merriment […]
Canadian musical theatre is on the rise. I hate to give all the credit to Come From Away but, with the success of Come From Away, all of a sudden we’re seeing companies take chances on programming musicals and the next wave of composers getting a little more exposure. The slow-developing bridge across the great […]
