Tarragon’s new prison-set one-act from Charlotte Corbeil-Coleman thrives on the shoulders of an incredibly strong quartet of women and a compellingly twisty structure that races ahead and forces the audience to chase it. Corbeil-Coleman’s dialogue is quick, cutting, and refreshingly funny even as her play is pitch black. Director Richard Rose keeps the pace up […]
Alright, here we go, I’m just going to come out and say it- I don’t like Dear Evan Hansen. I find Pasek & Paul’s music a little cheap in its emotional trickery and while that drum-kit-here/belt-note-there/get-your-heart-pumping “This Is Me” theatrics work brilliantly in something like The Greatest Showman where the spectacle is the substance, Dear […]
A warm and engaging revival of a classic musical, Trevor Nunn’s Fiddler on the Roof has heaps of heart as it tells this tale of family, community and solidarity. Set amongst a small Jewish settlement in Imperial Russia during the early 1900s, Fiddler on the Roof’s themes are surprisingly still relevant. The story carefully balances […]
Choreographer Crystal Pite’s work is always deeply thrilling—her ability to bring an audience into a transformed alternate reality is her trademark. In Revisor, her second collaboration with writer Jonathon Young, we are witness to a darkly surreal world that is presented to us both as farce and warning. Revisor is a militaristic period fantasy, heavy […]
“You only leave home if home is the mouth of a shark” This is one of the many hard truths about the refugee experience that No Woman’s Land asks its audience to grapple with. Through thoughtfully constructed and highly theatrical vignettes, Jaberi Dance Theatre challenges viewers to experience the plight of refugees on a deeply […]
Crossing and blending the line between dance and circus, Sigma is an absolute joy of a show. Cerebral, enticing, entrancing… this show is everything. The result of an experimentation of working with jugglers and dancers of different backgrounds, Gandini Juggling has found a niche working with traditional Indian dancers of the Bharatanatyam style and contemporary […]
Set in 1986 at an elite Ghanaian girls boarding school, Jocelyn Bioh’s School Girls; or, the African Mean Girls Play is steeped in Queen Bee pettiness and teenage politics. An Obsidian Theatre production in association with Nightwood Theatre, Director Nina Lee Aquino masterfully delves into the complexities of teenage female relationships, brought to life by […]
Pyretic Productions and Punctuate! Theatre’s most recent show, Blood of our Soil, packs a punch. Onstage in the Tarragon Theatre Extra Space, playwright and star Lianna Makuch brings the audience into her world and personal/familial tribulations. I have become a little wary of all-about-me one-actor shows. Everyone has interesting and fraught personal stories, and it […]