The Two Gentlemen of Verona is my favourite production at the Stratford Shakespeare Festival this year. If you know me at all, it wouldn’t have been very difficult to predict that. First of all, it’s the first show I’ve ever seen in the festival’s relatively new studio theatre (a beautiful and intimate space with a […]
That quote is actually referencing Lear but seems somehow appropriate to The Stratford Shakespeare Festival’s current production of The Tempest. First of all, it’s from Slings and Arrows, a television show based on the festival. Second, it’s addressed to William Hutt, a Stratford star with insurmountable gravitas (not unlike Christopher Plummer), who’s final role before […]
The more I see of the Red Light District Theatre Company the more I like it. That distinct world of experimental theatre in which the RLD so comfortably dwells has never quite been my cup of tea, but after their enlightened Woyzeck and now with an innovative Summerworks offering, I’m finding that this quirky company […]
Last week was a strange week of musical theatre for a couple of My Theatre writers. Wednesday evening saw us taking in a professional touring company at the lavish Four Seasons Centre in Dancap’s production of Miss Saigon. The following night we were sitting in the much more humble Al Green Theatre taking in a […]
The Stratford Festival took on something big this year in tackling Tim Rice and Andrew Lloyd Webber’s rock opera Evita. For the title role of passionate icon Eva Peron, the company chose their favourite little girl: Chilina Kennedy, a tiny ingenue with a big voice and a knack for ditzy charm. Her husband, Peron, would […]
After taking a “Music Through the Ages” class on Onegin with Clayton Scott last summer, I knew I’d be kicking myself if I didn’t see one of the National Ballet’s only eight performances of the ballet this June. Onegin is an extremely rarely performed piece, licensed to only a handful of companies around the world […]
Urban Bard is unlike any company I’ve ever seen. It is exactly what its name suggests, urban bard, nothing more or less. This season’s contrasting productions of the uber popular Twelfth Night and the sadly obscure Two Noble Kinsmen are innovative to the point where I was literally giggling in delight at every scene change. […]
The Red Light District Theatre Company is just a little bit crazy. As the tagline for their most recent production, Woyzeck, says, the company stands “just over the little dash between yes and no”. From their bum fight-inspired Titus to “the play about dancing robots and communists” to this run of Woyzeck, The RLD is […]