Boston Opera Collaborative expands its repertoire by performing Benjamin Britten’s rarely-performed three-act opera Albert Herring at Dorchester’s Strand Theatre as a part of the Free for All Concert Fund. Directed and orchestrated by 2013 My Theatre (Boston) Award-winning Stage Director Katherine Carter, and Music Director and Conductor Andrew Altenbach, the accessible production is a treat […]
The newest theatrical anthology from Toronto’s geek theatre company is shaped around four instalments of “Sidekicks”, a rumination on the role of henchmen and second fiddles by Manda Whitney & Errol Elumir (of Debs & Errol). Starring Andrew Gaunce, adorable as a hapless but mouthy minion, and the charming Jordi O’Dael in the much more complex […]
The summer night may smile three times, but it might have smiled a fourth time on The Arlington Friends of the Drama’s 429th production A Little Night Music, music and lyrics by Stephen Sondheim, book by Hugh Wheeler. The community theatre boasts some wonderful talent on the small stage, and mostly succeeds in orchestrating the […]
Two strong but ultimately uninspiring productions are currently playing at the Four Seasons Centre as the kick off to the Canadian Opera Company’s 2014/15 season. Though they’re of comparable overall quality, Falstaff and Madama Butterfly have little in common. The former is visually grand with lots of awkwardly long breaks to change the elaborate sets […]
I have a bit of a crush on Romola Garai’s professional acting choices. That’s not weird, is it? I mean, she is attracted to playing fantastic, intelligent, driven females. From her portrayal of an independent thinker and the wife of abolitionist William Wilberforce in Amazing Grace* to her portrayal of an ambitious young producer for […]
Lately I have been a huge fan of Central Square Theatre. Last season’s Sila gave me goose bumps, and I can’t help but admire their unique yet incredibly efficient operating model. Combining a beautifully flexible space and strong leadership, Emilie: La Marquise Du Chatalet Defends Her Life Tonight (which I will henceforth simply refer to […]
In the program notes of Knock! The Daniil Kharms Project, directed by Matthew Woods, dramaturg Matthew McMahan describes how the writings of Daniil Kharms were rescued by a friend, writer Iakov Druskin, from the bombed building the playwright lodged in; Druskin placed the “scattered remains…in a briefcase, and kept them hidden for decades.” A […]
I went to my first New Repertory show for a rather obscure song cycle musical, Closer Than Ever. I went into the show not really knowing what to expect from this little ditty. Described as a musical revue, Closer Than Ever unfolds in two acts of strictly musical treats, music by David Shire and lyrics […]