Flesh and Other Fragments of Love is about a married couple, Simone (Maria del Mar) and Pierre (Blair Williams). They bicker and squabble and get in each other’s way while on vacation in Ireland. Enter a ghostly, dead woman who has been found washed up on the beach. Her name is Mary (Nicole Underhay). The […]
Tarragon’s current Extra Space offering is a sure-thing. They’re a Canadian playwright’s theatre and Hannah Moscovitch is a wonderfully talented, totally accessible, widely produced, generally beloved Canadian playwright who just happens to be Tarragon’s current playwright-in-residence, so a double bill of her newest one-acts is not only a smart decision artistically, it’s one perfectly in-brand […]
Hannah Moscovitch is such a solid playwright. Her works is so consistently good it’s beginning to border on predictable. It’s rare that I’m completely enraptured by a Moscovitch piece but I’m always impressed and effected. She chooses hard subjects and captures them vividly with sharp, realistic dialogue and rich characterizations. A Moscovitch play is the […]
I’d heard so many great things about Melody A. Johnson’s one-woman show Miss Caledonia that my expectations were sky-high. There’s something just so incredibly charming about a woman who grows up and ends up spending much of her writing and performing career paying tribute to her country-girl mother and the much-smaller dreams that led to […]
Before we announce the winners of the 2011 My Theatre Awards, we’re proud to present the My Theatre Nominee Interview Series. The first real Tarragon Theatre production I ever saw was Sarah Ruhl’s subversive and thoughtful period comedy, In the Next Room. The 2011 production was thoughtfully directed and beautifully designed but it was the […]
The newest play from Canada’s beloved playwright Hannah Moscovitch is a stirring and inspiring drama about groundbreaking Polish/Jewish educator Janusz Korczak, set in Warsaw in pre-ghetto 1939 (Act I) and oppressive and war-torn 1942 (Act II). Against Camellia Koo’s innovative set of destructible paper orphanage walls and directed with sublime understanding by Alisa Palmer, Moscovitch’s […]
I’ve been to many productions in the Tarragon theatre but until recently I had never been to a Tarragon Theatre production. Turns out it’s a remarkably capable company with strong production values and solid actors. In the hands of director Richard Rose, Sarah Ruhl’s clever play on modern medicine, domestic power and female sexuality is […]