Popular culture has resoundingly strong opinions and plenty of advice on love. Love is all you need. Love is a battlefield. Love changes everything. Live, laugh, love. Eat, Pray, Love. The list goes on. But, what is this Crazy Little Thing Called Love? For those people who Want To Know What Love Is,* Benjamin Folstein’s […]
M’dea Undone (Tapestry Opera) This world premiere one-act opera from Tapestry is smart and character-driven with a cleverly modern libretto by Marjorie Chan and superb performances from its 7-person cast, including Jacqueline Woodley as a refreshingly savvy and complex Dahlia and the brilliant Lauren Segal in the title role of the scorned wife of aspirational […]
There are a few operatic conventions that really get me down. The first is a wackadoo story that let’s say isn’t exactly grounded in human truth. The second is overdramatic Tragedy with a capital t. Though the two productions that make up the Canadian Opera Company’s spring season embody, respectively, these qualities to a tee, […]
Time after time, I seem to land on the opposing point of view when it comes to the latest COC production. I never could wrap my head around the critical apathy towards my favourite show to date- Verdi’s Masked Ball– nor could I see the reported genius of so many pieces I found deathly boring. […]
Warning: Extreme negativity ahead. Why don’t you read Rachael’s piece about all the Friends Thanksgiving episodes instead? Tapestry Briefs: Booster Shots (Tapestry) Conceptually, this evening of short opera scenes tied together with corresponding shots of curated liquors was a brilliant idea. How do you battle every simplistic but not altogether unfounded accusation of “long, boring, old, […]
The Global Cabaret Festival came to an end with a rousing late-night performance from the great Jackie Richardson. I celebrated the first seven shows on my agenda in Part 1. Now that the festival is over (hopefully not forever- Global, tell us you’ll bring the festival back for year 8!), here are the rest of […]
I’m halfway through the 7th (and final?) Global Cabaret Festival weekend down at the Young Centre for the Performing Arts. Here are the highlights so far: UPDATE: Read Part 2 HERE. Best Show (so far) The American Pie Songbook I know, I’m the most predictable person in the world, but the songbook show music directed […]
Boston Opera Collaborative expands its repertoire by performing Benjamin Britten’s rarely-performed three-act opera Albert Herring at Dorchester’s Strand Theatre as a part of the Free for All Concert Fund. Directed and orchestrated by 2013 My Theatre (Boston) Award-winning Stage Director Katherine Carter, and Music Director and Conductor Andrew Altenbach, the accessible production is a treat […]