Vest of Friends A four-guy group in ugly vests, Vest of Friends hit the Toronto Sketch Comedy Festival with a goofy and superficial set full of boyish observational humour- “what’s with the grunt at the end of the Home Improvement theme song?!”- and silly wigs. Their entry into the unofficial “killing one of our troupe […]
Tom and Erica It all starts in the darkness, a tiny stage in front of you and the shuffling of a restless audience waiting for the comedian to come on stage. The Toronto Sketch Festival was created 10 years ago with a clear mission: to make Toronto a funnier place to be. As part of […]
Anton Piatigorsky’s Breath in Between is playing in Crow’s Theatre’s brand new studio space until the end of the week but I’m still trying to figure out how it got there in the first place. Crow’s Artistic Director Chris Abraham is someone I associate, above all, with good taste. His own productions are always impeccably […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Outstanding Actor nominee Andre Sills delivered one of the definitive performances of 2016 as Sam in “Master Harold”… and the Boys, first at the Shaw Festival then in a second run in Toronto (co-produced with Obsidian […]
“Master Harold” … and the Boys (co-produced by the Shaw Festival and Obsidian Theatre Company) was a heavy, wordy three-hander with a ton of weight falling onto the shoulders of Outstanding Supporting Actor nominee James Daly in only his second year at Shaw. As the naive “Master Harold”, James beautifully captured how an ugly society can make […]
Blue Remembered Hills (Good Old Neon) This dark, unpleasant, uncompromisingly strange piece of physical theatre is born out of a British teleplay in which a group of children play and torture each other, as children do. The children are meant to be played by adults but director Nicole Wilson has fully grown the characters up, […]
Currently on tour, Taking Flight is a selection of three plays, chosen as the winners of a competition that aimed to produce pieces by first-time playwrights from within the British East Asian, South Asian, and Southeast Asian communities. Obviously, the politics of the aim can’t be ignored: that there is something particular about British-Asian (or […]
